Dandapani Pancharathnam – Adi Kruthigai Special

Introduction

Jagadguru Saccidānanda Śivābhinava Nṛsimha Bhārati Mahāswāmiji, (referred as Nṛsimha Bhārati Mahāswāmiji henceforth) was 33rd Jagadguru in the unbroken chain of Ācāryas of Śrīngeri Śrī Śāradā Peetham, one of the foremost of the Mutt’s established by Śrḹ Śaṇkara Bhagavatpāda.

Jagadguru Śrī Śrī Saccidānanda Śivābhinava Nṛsimha Bhārati Mahāswāmiji, embellished the sacred peetham from 1879 to 1912. He is adorned as Śrī ‘Abhinava Śhankarā’, a spiritual reincarnation of the great saint Śrī Śaṇkara Bhagavatpāda.

Bhakthisudha Tarangini is a brainchaild of Nṛsimha Bhārati Mahāswāmiji comprising various poetic compositions which was published by his earnest disciple Śrī. T.S. Balasubrahmanya Iyer in the year 1913.

Bhakthisudha Tarangini is a voluminous work. Like the great Śrī Śaṇkara Bhagavatpāda, Śrī Nṛsimha Bhārati Mahāswāmiji composed many stotras in praise of various Gods and Goddesses at various Shrines throught India. This book is a collection of 170 stotras of different dieties categorised as follows- Ganesha stotras, Devi stotras, Guru stotras, Vishnu, Shiva and Vedanta stotras.

Here is one on Lord Subramanya. Lord Subramanya is also known as Dandapani. This Sloka is a Pancharathna Mala and has five verses.

Audio Link

https://www.dropbox.com/s/o2mmlja9a8rmtte/Dhandabani%20Pancharatnam–6-9hytAdaA.mp3?dl=0

Sanskrit Verse

॥ श्रीदण्डपाणिपञ्चरत्नम् ॥

चण्डपापहरपादसेवनं गण्डशोभिवरकुण्डलद्वयम् ।
दण्डिताखिलसुरारिमण्डलं दण्डपाणिमनिशं विभावये ॥ १॥

कालकालतनुजं कृपालयं बालचन्द्रविलसज्जटाधरम् ।
चेलधूतशिशुवासरेश्वरं दण्डपाणिमनिशं विभावये ॥ २॥

तारकेशसदृशाननोज्ज्वलं तारकारिमखिलार्थदं जवात् ।
तारकं निरवधेर्भवाम्बुधेर्दण्डपाणिमनिशं विभावये ॥ ३॥

तापहारिनिजपादसंस्तुतिं कोपकाममुखवैरिवारकम् ।
प्रापकं निजपदस्य सत्वरं दण्डपाणिमनिशं विभावये ॥ ४॥

कामनीयकविनिर्जिताङ्गजं रामलक्ष्मणकराम्बुजार्चितम् ।
कोमलाङ्गमतिसुन्दराकृतिं दण्डपाणिमनिशं विभावये ॥ ५॥

इति श‍ृङ्गेरि श्रीजगद्गुरु श्रीसच्चिदानन्द-शिवाभिनव-नृसिंहभारती-स्वामिभिः विरचितं श्रीदण्डपाणिपञ्चरत्नं सम्पूर्णम् ।

Transliteration in English

Chanda Paapahara Paadhasey Vanam

Kanda Sohpi Vara Kundala Thvayam

Thandi Thaa Gila Suraari Mandalam

Dhandapaani Mani Mum Vibaavaye

Kaala Kaala Thanujam Krupaa Layam

Baala Chandhra Vilasaja Jada adharam

Seyla Dhootha Sisu Vaasa Reyswaram

Dhandapaani Mani Mum Vibaavaye

Thaara Kaeysa Sathrusaa Nanoh Jvalam

Thaara Kaari Magilaarth Thaththam Javaath  

Thaarakam Niravatheyr Pavaam Putheyr

Dhandapaani Mani Mum Vibaavaye

Thaapa Haari Nija Paadha Samsthu Thim

Kohba Kaama Mugha Vairi Vaarakam

Paaraa pagam Nija Padhasya Sathvaram

Dhandapaani Mani Mum Vibaavaye

Kaama Neeya Kavi Nir Jithaan Gajam

Raama Lakshmana Karaam Bujaarch Chitham

Kohma Laanga Madhi Sundha Raakrudhim

Dhandapaani Mani Mum Vibaavaye

Transliteration in Tamil

சண்ட³-பாப-ஹர-பாத³ஸேவநம்ʼ
க³ண்ட³-ஶோபி⁴-வர-குண்ட³ல-த்³வயம் ।
த³ண்டி³தாகி²ல-ஸுராரி-மண்ட³லம்ʼ
த³ண்ட³பாணிமநிஶம்ʼ விபா⁴வயே ॥ 1॥

காலகால-தநுஜம்ʼ க்ருʼபாலயம்ʼ
பா³லசந்த்³ர-விலஸஜ்ஜடாத⁴ரம் ।
சேலதூ⁴த-ஶிஶுவாஸரேஶ்வரம்ʼ
த³ண்ட³பாணிமநிஶம்ʼ விபா⁴வயே ॥ 2॥

தாரகேஶ-ஸத்³ருʼஶாநநோஜ்ஜ்வலம்ʼ
தாரகாரிமகி²லார்த²த³ம்ʼ ஜவாத் ।
தாரகம்ʼ நிரவதே⁴ர்ப⁴வாம்பு³தே⁴ர்-
த³ண்ட³பாணிமநிஶம்ʼ விபா⁴வயே ॥ 3॥

தாபஹாரி-நிஜபாத³-ஸம்ʼஸ்துதிம்ʼ
கோப-காம-முக²-வைரி-வாரகம் ।
ப்ராபகம்ʼ நிஜபத³ஸ்ய ஸத்வரம்ʼ
த³ண்ட³பாணிமநிஶம்ʼ விபா⁴வயே ॥ 4॥

காமநீயக-விநிர்ஜிதாங்க³ஜம்ʼ
ராம-லக்ஷ்மண-கராம்பு³ஜார்சிதம் ।
கோமலாங்க³மதிஸுந்த³ராக்ருʼதிம்ʼ
த³ண்ட³பாணிமநிஶம்ʼ விபா⁴வயே ॥ 5॥

Meaning in Tamil

அடிபணியும் எளியாரின் கொடிய வினை தீர்க்கும்

இருகன்னமொளிர் எழில் குண்டலங்கள் அணி

வின்னவர் பகை அசுரபடைதனை அடக்கிடும்

தண்டபாணியை, துதித்திடுவேன் இடையறாது. 1.

காலகாலனின் குமரன், கருணாலயன்,

இளம்பிறை முடி அணி ஈசனின்

பிரதிநிதியாய் எழுந்தருள் இளையோன்

தண்டபாணியை, துதித்திடுவேன் இடையறாது. 2.

நாண்மீனரசன் சந்திரனின் ஒளிஎழில் முகத்தோன்,

தாரகன்தனை வென்ற, வேண்டியதை தந்திடுவோன்

ஆழ்கடலாம் பிறவிதனை தோணியென கடத்திடும்

தண்டபாணியை, துதித்திடுவேன் இடையறாது. 3.

வேண்டியோர் மனதின் வேட்கை தணித்திடுவோன்

வெகுளி அவாதனை வீரிய பகையென விரட்டிடுவோன்

விரைவினிலே வீடுபேறு பெற்றிடச் செய்திடுவோன்

தண்டபாணியை, துதித்திடுவேன் இடையறாது. 4.

காமனை வென்ற கரவேல் எழிலழகன்

ராம லக்குவ கரங்கள் போற்றிய குமரன்

மென்மை மேவிய எழில் திருமேனியன்

தண்டபாணியை, துதித்திடுவேன் இடையறாது. 5.

Meaning in English

I pray continuously Lord Dandapani, who destroys the cruel sins of the devotees; who wears earrings which makes the two cheeks glitter; who punishes the Asuras who are the enemies of the Devas.

I pray continuously Lord Dandapani, who is the son of the killer of Yama; who is the temple of mercy; who sports  a matted hair decorated by the crescent moon and who is the representative (svarupa) of Lord Siva.

I pray continuously Lord Dandapani, who has a great luster similar  to moon, the lord of stars, who is the enemy  of Tharaka , who speedily grants the wealth sought by devotees, and who helps us to cross the deep sea of life cycles (samsara) like a boat .

I pray continuously Lord Dandapani, who destroys all the  worries of the true  devotees, who helps us to destroy our true enemies viz., anger  and passion, and who is the one who helps us to reach his abode quickly.

I pray continuously Lord Dandapani, who is the destroyer of the Cupid and is handsome Himself, who is worshipped with hands folded by Lord Ram and Lakshman and who has tender and elegant looking form.

References

1. https://www.anantaajournal.com/archives/2017/vol3issue2/PartC/3-2-35-353.pdf

2. https://archive.org/details/Works_of_Nrisimha_Bharati_Swami_Bhakti_Sudha_Tarangini_-_Sri_Vani_Vilas_1913/page/n46/mode/2up

Mind and Guruguha Bhakti – A Carnatic Perspective of Vedanta

Palani Murugan

Preamble

Around the Christmas period in the month Marghazhi (December 26th to be precise), we were travelling by road from Dindigul to Coimbatore via the holy place of Palani. We saw a continuous stream of people walking on barefoot all along the stretch of the highway that led to Palani. It was clearly an indication that the bhakti filled festival of Thaipoosam is not far away.

“Thaipoosam is an important festival observed by the Hindus of southern India during the Tamil month of Thai (January – February). Outside of India, it is celebrated mainly by the Tamil speaking community settled in Malaysia, Singapore, South Africa, Sri Lanka and elsewhere around the world. Thaipusam is dedicated to the Hindu god Murugan, the son of Shiva and Parvati. Murugan is also known as Karttikeya, Subrahmanya, Sanmukha, Shadanana, Skanda and Guha. It is believed that on this day, Goddess Parvati presented a lance to Lord Murugan to vanquish the demon army of Tarakasura and combat their evil deeds. Therefore, Thaipusam is a celebration of the victory of good over evil. Thaipusam is celebrated during the full moon in the Tamil month of Thai and commemorates the birthday of the Hindu deity Murugan.”

All along the drive I was thinking if I could relate this bhakti oriented activity with the Advaita Vedantic mindset that I have been focusing on over the last couple of years and come out with some learning that will be immensely satisfying. In other words, I need to link Guha (Bhakti) with Sankara (Advaita); the Manifest with the Unmanifest; the Son with the Father. Looks simple; but impossible without a Guru.

That thinking took me to another Guruguha, one of the trinity in Carnatic music world. Yes, Muthuswamy Dikshithar provided me, the link for relating Bhakti with Vedanta.

Here is that link

Audio Link

https://www.dropbox.com/s/cayaurvs20rng42/Muthuswamy%20Dikshitar%20Kriti-%20Manasa%20Guruguha-%20Anandabhairavi-%20Rupakam-%20DK%20Pattamal-WXfG6a5FsEI.mp3?dl=0

Now let us study this Kriti (composition)

Sanskrit Verses

पल्लवि

मानस गुरु गुह रूपं भजरे रे

माया-मय हृत्तापं त्यजरे रे

अनुपल्लवि

मानव जन्मनि संप्राप्ते सति

परमात्मनि निरतिशय सुखं व्रजरे रे

चरणम्

सत्व गुणोपाधि सहित सदाशिवं

स्वाविद्या समेत जीवोद्भवम्

तत्वं तामस युत विश्व वैभवं

तारकेश्वरं आनन्द भैरवम्

(मध्यम काल साहित्यम्)

नत्वा श्री गुरु चरणं कृत्वा नाम स्मरणं

जित्वा मोहावरणं मत्वा त्वदेक शरणम्

English Transliteration

Pallavi

mānasa guru guha rūpaṃ bhajarē rē

māyā-maya hṛttāpaṃ tyajarē rē

Anupallavi

mānava janmani saṃprāptē sati

paramātmani niratiśaya sukhaṃ vrajarē rē

Caraṇa

satva guṇōpādhi sahita sadāśivaṃ

svāvidyā samēta jīvōdbhavam

tatvaṃ tāmasa yuta viśva vaibhavaṃ

tārakēśvaraṃ ānanda bhairavam

(madhyama kāla sāhitya)

natvā śrī guru caraṇaṃ kṛtvā nāma smaraṇaṃ

jitvā mōhāvaraṇaṃ matvā tvadēka śaraṇam

Meaning in English

Oh mind, worship the form of Guruguhan. Give up the agony of the heart caused by illusion.When human birth has been obtained, attain the perfect unsurpassed bliss of the Supreme Being ( don’t waste the opportunity) He is SADASIVA, full of SATVAGUNA;All living beings are born out of Him as the result of the impact of AVIDYA. The universe with its TAMASIC qualities is again a manifestation of His greatness; He is TARAKESVARA and ANANDA BHAIRAVA. Prostrate on His feet ; Mediate on His name; Conquer the veil of illusion and Think of Him as your sole refuge.

Meaning in Tamil

பல்லவி

போற்றிடுவாய் மனமே குருகுகன் வடிவம்தனையே

அகற்றிடுவாய் மாயைவிளை இதய நோவதனையே

அனுபல்லவி

அரிய மானிடப் பிறவியெடுத்த நீ,

அடைந்திடு நாடி இறையருட் பேரின்பம்தனை

சரணம்

நற்குணப்பண்பின் வடிவான சதாசிவன் அவன்

அகஇருள் விளை உயிரின உருவகமூலம் அவன்

இருள்நிறை இவ்வண்டம் கடந்த பேரொளி அவன்

காக்கும் கடவுளாம் ஆனந்த பைரவன் அவன்

மத்தியம கால சாகித்யம்

குருகுகனின் பாதம் பணிந்து நாமம் துதித்து

இருள் மாயத்திரையகற்றி அடைக்கலம் அவன்

ஒருவனே என நினைந்து ….போற்றிடுவாய் மனமே

Understanding the Kriti

Right at the beginning of the Kriti (Pallavi), Muthuswamy Dikshithar relates Jiva, Jagat and Isvara through their manifestations Mind, Maya and Guha. He “straight away instructs the mind to strive for higher goals – “Oh mind!!(“rE mAnasa”) meditate on (“bhajarE”) guha, the form of guru and abandon (“tyajarE”) the delusionary (“mAya-maya”) sorrows and afflictions of the heart/mind (“hRttApam”). He straightaway equates a guru as a form of the Lord Himself and commands the mind to worship him and meditate on him.”

Continuing, Dikshithar in the anupallavi, says “Having obtained the human birth form, go,take the path and try to attain the unsurpassed bliss associated with the supreme consciousness” – a reference to the Isavasya Upanishad Slokas which outline the paths that one can pursue for understanding the “Atma Svaroopam”.

In the caraNam, dIkshitar describes the Lord as ” The form of everlasting consciousness (“sadASivaM”), the one endowed with (“sahita”) with qualities of (“guNOpAdhi”) satva. The one from whom all the living beings (“jIva”) are born (“udbhavam”) as a result of their own ignorance (“sva avidya”). His greatness (“vaibhavaM”) symbolises the truth (“tatvam”) that lies beyond this world (“viSva”) filled with tamasic qualities (“tAmasa yuta”). He is tArakEswara, the Lord who helps cross this ocean of samsara. He is the form of Anandabhairava, radiating ever-lasting bliss”. Again I am reminded of the Shanthi Sloka and the first Sloka of Isavasya Upanishad – Isavasyam idham sarvam.

In the madhyamakAla sAhityam, Dikshithar says “Worship (“natvA”) the feet (“caraNam”) of the auspicious preceptor (“shrI guru”). Chant and meditate on his name (“nAmasmaraNam”). Conquer (“jitvA”) the sheath/veil (“AvaraNam”) of delusion/desire (“mOha”). Surrender to him as the sole (“twadEka”) refuge (“SaraNam”).” Pray, meditate, get mind control, come out of ignorance, surrender and reach Sat Cit Ananda – the very process that takes you to your SELF and reveals that “Tat Tvam Asi” which is the essence of Vedanta.