Carnatic Musing 39 – MAANASA GURU GUHA – Ananda Bhairavi

Composer

Muthuswamy Dikshithar. Pl ref http://musicinfoguide.blogspot.com/2007/08/muthuswami-dikshitar-1775-1835.html

Audio Link

Listen to the evergreen voice of the one and only one MD Ramanathan. Ananda Bhairavi smoothly flows with all its curls and swirls effortlessly. https://www.dropbox.com/s/89bhl91awc7oe35/M.D%20Ramanathan-AIR-ManasaGuruguha-Anandabhairavi-IkvKJgY1gsA%281%29.mp3?dl=0

Sanskrit Verses

पल्लवि

मानस गुरु गुह रूपं भजरे रे

माया-मय हृत्तापं त्यजरे रे

अनुपल्लवि

मानव जन्मनि संप्राप्ते सति

परमात्मनि निरतिशय सुखं व्रजरे रे

चरणम्

सत्व गुणोपाधि सहित सदाशिवं

स्वाविद्या समेत जीवोद्भवम्

तत्वं तामस युत विश्व वैभवं

तारकेश्वरं आनन्द भैरवम्

(मध्यम काल साहित्यम्)

नत्वा श्री गुरु चरणं कृत्वा नाम स्मरणं

जित्वा मोहावरणं मत्वा त्वदेक शरणम्

Meaning in Tamil

பல்லவி

போற்றிடுவாய் மனமே குருகுகன் வடிவம்தனையே

அகற்றிடுவாய் மாயைவிளை இதய நோவதனையே

அனுபல்லவி

அரிய மானிடப் பிறவியெடுத்த நீ,

அடைந்திடு நாடி இறையருட் பேரின்பம்தனை

சரணம்

சத்வகுணப்பண்பின் வடிவான சதாசிவன் அவன்

அகஇருள் விளை உயிரின உருவகமூலம் அவன்

இருள்நிறை இவ்வண்டம் கடந்த பேரொளி அவன்

காக்கும் கடவுளாம் ஆனந்த பைரவன் அவன்

மத்தியம கால சாகித்யம்

குருகுகனின் பாதம் பணிந்து நாமம் துதித்து

இருள் மாயத்திரையகற்றி அடைக்கலம் அவன்

ஒருவனே என நினைந்து ….போற்றிடுவாய் மனமே

English Transliteration

Pallavi

mānasa guru guha rūpaṃ bhajarē rē

māyā-maya hṛttāpaṃ tyajarē rē

Anupallavi

mānava janmani saṃprāptē sati

paramātmani niratiśaya sukhaṃ vrajarē rē

Caraṇa

satva guṇōpādhi sahita sadāśivaṃ

svāvidyā samēta jīvōdbhavam

tatvaṃ tāmasa yuta viśva vaibhavaṃ

tārakēśvaraṃ ānanda bhairavam

(madhyama kāla sāhitya)

natvā śrī guru caraṇaṃ kṛtvā nāma smaraṇaṃ

jitvā mōhāvaraṇaṃ matvā tvadēka śaraṇam

Meaning in English

Oh mind, worship the form of Guruguhan. Give up the agony of the heart caused by illusion.When human birth has been obtained, attain the perfect unsurpassed bliss of the Supreme Being ( don’t waste the opportunity) He is SADASIVA, full of SATVAGUNA;All living beings are born out of Him as the result of the impact of AVIDYA. The universe with its TAMASIC qualities is again a manifestation of His greatness; He is TARAKESVARA and ANANDA BHAIRAVA. Prostrate on His feet ; Mediate on His name; Conquer the veil of illusion and Think of Him as your sole refuge.

Meaning of the Sanskrit Words

पल्लवि

मानस – mind

गुरु गुह – Guru Guha – Lord Subramanya (also pen name of Dikshithar)

रूपं – form

भजरे – worship

माया-मय -illusion

ह्र्त् – heart

तापम् – agony

त्यजरे – give up

Anupallavi

मानव – human

जन्मनि – birth

संप्राप्ते – gained/obtained/attained

सति –

परमात्मनि – Supreme Being

निरतिशय – unsurpassed/ perfect

सुखं – bliss/pleasure

व्रज-

CaraNam

सत्व – good qualities – Saatvic

गुण – virtues/traits

उपाधि – attribute

सहित – together

सदाशिवं – Sadasiva

स्व – self

अविद्या – ignorance / illusion

समॆत – along with

जीव – vital/life

उद्भवम् – creation

तत्वं – reality/truth

तामस – Dark qualities

युत – combined

विश्व – universe

वैभवं – ceremony

तारक – rescue/save

ईश्वरं – Supreme Being

आनन्द – delight/happy

भैरवम् – Bhairava

(मध्यम काल साहित्यम्)

नत्वा – bow down ( from the word nata)

श्री गुरु – Revered Teacher

चरणं – foot

कृत्वा – having done

नाम – name

स्मरणं – mental recitation

जित्वा – overcoming

मोह – delusion

आवरणं – cover

मत्वा – think (derived from the word mati)

त्वद् – your

ऎक – only

शरणम् – refuge

Carnatic Musing 38 – Sringara Saktyayudha – Raga Rama Manohari

Composer:

Muthuswamy Dikshithar. Pl. refer http://musicinfoguide.blogspot.com/2007/08/muthuswami-dikshitar-1775-1835.html

Audio Link

Listen to Sanjay Subramanian at https://www.dropbox.com/s/cbi8nezfgrg59dq/Sanjay%20Subrahmanyan%20-%20shrngAra%20shaktyAyudhadhara%20-%20rAmamanOhari%20-%20dIkshitar-Je9UnymFHqs.mp3?dl=0

Sanskrit Verse

पल्लवि

शृङ्गार शक्त्यायुध धर शरवणस्य

दासोऽहं अनिशं धन धान्य प्रदस्य

समष्टि चरणम्

गङ्गामृत पूरित घटाभिषेकस्य

गद्य पद्यादि नुत कोमळतर पदस्य

अङ्गारकादि नव ग्रह वन्दितस्य

आदि मध्यान्त रहिताप्रमेय वरस्य

(मध्यम काल साहित्यम्)

जगदम्बिकादि सकल देवता मोहित

जननादि खेद भञ्जन चतुरतरस्य

नग राज सुता नन्दीश नव नन्दादि

भक्त जनान्तःकरणानन्द गुरु गुहस्य

variations –

नन्दादिनन्द्यादि

Meaning in Tamil

பல்லவி

சிங்காரவேலன் சரவணனின் அடிமை யான் எக்காலமும்

சீர்மிகு செல்வ வளம் வாரி வழங்கும் சக்தி வேலாயுதன்.. சிங்கார

சமஷ்டி சரணம்

நிரைகுட கங்கை நீர் புனித திருமுழுக்காடும்

உரைகவிபல போற்றும் கமலமலர்ப்பாதமுடை

அங்காரகன் சேர் நவகோளதிபதிகள் துதிக்கும்

ஆதி மத்ய அந்தமிலா அளவிலா மேன்மைமிகு..…. சிங்கார

அன்னை சக்தியுடன் அனத்து உம்பர்க்கும் அனந்தம் தரும்,

அல்லல்மிகு பிறவிப் பிணி தீர்க்கும் அதிவித்தகன்,

அன்னை உமையவள் மகேசனுடன்அடியார்க்கும்

நவசக்தி மைந்தருக்கும் அளவிலா இன்பமளி குருகுகன்…… சிங்கார

English Transliteration

pallavi

SRngAra SaktyAyudha dhara SaravaNasya

dAsO(a)haM aniSaM dhana dhAnya pradasya

samashTi caraNam

gangAmRta pUrita ghaTAbhishEkasya

gadya padyAdi nuta kOmaLa-tara padasya

angArakAdi nava graha vanditasya

Adi madhyAnta rahitApramEya varasya

(madhyama kAla sAhityam)

jagadambikAdi sakala dEvatA mOhita –

jananAdi khEda bhanjana catura-tarasya

naga rAja sutA nandISa nava nandAdi –

bhakta janAntaHkaraNAnanda guru guhasya

variations –

nandAdi – nandyAdi

kshEtra – Sikkil Singaravelan.

Meaning in English

I am the slave forever of Lord Saravana, the handsome one holding the powerful spear as weapon and who showers wealth and grains

He is the one:

who is bathed with pitchers filled with the waters of Ganga, with very tender feet which are glorified in prose and poetry, worshipped by the nine planets led by Angaraka, with neither beginning nor middle nor end,immeasurable eminent one, who charms all the celestials beginning with Parvati(the universal mother), expert at shattering the sorrow caused by birth etc. delights the hearts of Parvati, Nandi, Nava-nandanas and other devotees. He is Guruguha

Comments:

• This Kriti is in the sixth Vibhakti

• “SRngAra SaktyAyudha dhara” translates to Singaravelan in Tamil, as the lord is known in the Sikkal temple

• The Nava-Nandanas or Nava-Veeras are the sons of the Nava-Shaktis born by the grace of Shiva, and are Subrahmanya’s brothers. The eldest of them is Veerabahu. They assist him in war.

Meaning of the Sanskrit Words

पल्लवि

शृङ्गार – handsome

शक्ति-आयुध – Spear (Vel in Tamil) as the weapon

धर – holding

शरवणस्य – Saravana

दासो-अहं – Servant, I am

अनिशं – for ever

धन धान्य – wealth and grains

प्रदस्य – giver

समष्टि चरणम्

गङ्गा अमृत – The Ganga River water

पूरित घट- Filled pot

अभिषेकस्य – the one who is bathed in

गद्य – prose

पद्य- poetry

आदि – etc

नुत – euologise/glorify

कोमळ-तर पदस्य – lotus like feet

अङ्गारक-आदि – Planet mars etc

नव ग्रह – nine planets

वन्दितस्य – worshipped

आदि मध्य-अन्त रहित- beginning, middle and end

अप्रमेय – immeay

वरस्य – eminent

जगद्-अम्बिका- the Goddess of the world – Parvati

आदि सकल देवता – and all celestials included

मोहित – charms

जनन-आदि खेद भञ्जन चतुर-तरस्य – the expert at shattering the sorrow caused by birth etc.

नग राज सुता – the consort of the king of serpents – i.e., consort of Siva viz. – Parvati

नन्दि-ईश – the God Nandi

नव नन्द-आदि – भक्त जन- all devitees including the the sons of the nine Shaktis of Siva

अन्तः-करण- minds

आनन्द – pleasing

गुरु गुहस्य – Guru Guha (signature name of the composer)

Carnatic Musing 37 – aruNAcala nAthaM smarAmi – Ragam sArangA

Composer :

Muthuswamy Dikshithar. Pl ref http://musicinfoguide.blogspot.com/2007/08/muthuswami-dikshitar-1775-1835.html

Audio Link :

Pl. listen to the Hyderabad Brothers at https://www.dropbox.com/s/xbi1q317iamr0hv/Arunachala%20Natham%20-%20Saranga%20-%20Hyderabad%20Brothers-uFmaVReLFi8.mp3?dl=0

Sanskrit Verses :

अरुणाचल नाथम् – रागं सारङ्गा – ताळं रूपकं

पल्लवि

अरुणाचल नाथं स्मरामि अनिशं

अपीत कुचाम्बा समेतम्

अनुपल्लवि

स्मरणात् कैवल्य प्रद चरणारविन्दं

तरुणादित्य कोटि संकाश चिदानन्दं

(मध्यम काल साहित्यम्)

करुणा रसादि कन्दं शरणागत सुर बृन्दम्

चरणम्

अप्राकृत तेजो-मय लिङ्गं

अत्यद्भुत कर धृत सारङ्गं

अप्रमेयं अपर्णाब्ज भृङ्गं

आरूढोत्तुङ्ग वृष तुरङ्गम्

(मध्यम काल साहित्यम्)

विप्रोत्तम विशेषान्तरङ्गं

वीर गुरु गुह तार प्रसङ्गं

स्व-प्रदीप मौलि विधृत गङ्गं

स्व-प्रकाश जित सोमाग्नि पतङ्गम्

Meaning in Tamil :

பல்லவி

அருணாசல நாதனை இடைவிடா நினைவேனே

உண்ணாமுலை அன்னையுடன் காட்சி தரும் …. அருணாசல

அனுபல்லவி

எண்ணம் ஒன்று போதும் அருணனின்

எம் முக்திக்கு வித்தாகும் அவன் கமலபாதம்

கோடி இளஞ்சூரியனின் கதிரொளித் தோற்றம்

பேரின்ப உள்ளுணர்வின் உருவகம்

மத்தியம கால சாகித்யம்

பரிவுடன் கருணை உணர்வின் அடிமூலம்

பணிந்திட்டு உம்பரார் அடைக்கலம்…..அருணாசல

சரணம்

அடிமுடி காணா அழல் வடிவ லிங்க வடிவோனே

அதி் அற்புத சாரங்கம் ஏந்திய கரம் உடையோனே

அயனும் அனந்தனும் அடைய இயலா அளவிலனே

அன்னையின் கமலமுக வட்டமிடும் கருவண்டே

உமையொரு பாகன் விடையேறும் விமலனே

மத்தியம கால சாகித்யம்

உயர் ஞானியர் உளம் நிறை ஒப்பிலாஅன்பனே

வீரமிகு குருகுகனை நேசமுடன் விழைவனே

மின்னார் செஞ்சடையில் கங்கை அணியோனே

அழல் மதி ஆதவன் விளை தரும் ஒளி மேலவனே

துலங்கும் தூய தமனியப்பிரபை உமையோனே….அருணாசல

Meaning in English:

For meaning and details about the deity and the temple, please refer https://sriramv.wordpress.com/2012/11/29/arunacalanatham-of-muttuswami-dikshitar/

WHO AM I – The baby steps

As a kid nearly 60 years back, Visalakshi Ammman Kovil (Temple is more than 300 years old ) in Batlagundu (Vattlagundu), situated in Nilkottai Taluk of in Dindigul District in Tamilnadu, on the bank of HARIDHRA RIVER (MANJALARU – no idea if the river exists today!) was the only place which I used to go regularly for prayers, not because I understood what a prayer is and the need for one; but that used to be the mandate those days for boys at the “Agraharam (an ungated community!)” from the family. Visalakshi Amman & Lord Visvesvarar are the principal deities and the temple included several Deities such as Ganesha, Subramanya, Chandikeshwarar, Dakṣiṇāmurty etc. For each of the Gods, we used to recite a specific Sloka and when it came to Dakṣiṇāmurty, we used to recite as a routine. Here is a short video of the temple (Photo Courtesy – My friend Muthunarayanan alias Muthappa)

Guru Brahma, Guru Vishnu, Guru Devo Maheswara

Guru sakshath ParaBrahma tasmai Sri Guruve Namah.

I did not know anything about either God or the Sloka except that I had to recite it at that particular spot where Lord Dakṣiṇāmurty was situated. All I knew was that He was a form of Siva. Never in my life subsequent to that period and even in my dreams did I imagine once, that one day I will be writing about the Sthothram on Lord Dakṣiṇāmurty by Adi Śankarācārya. Blessed I am indeed to even think of consolidating what is written and explained by legends and doyens of Spirituality and Vedāntaḥ.

But strange is the nature and power of “the Ultimate Reality”. Study of Vedāntaḥ and listening to Spirituality oriented Discourses is the most familiar route for spending time after retirement for most of us and I am no exception to this. One such lecture by Prof. Mahadevan of IIM, Bangalore was the spark I needed to dive into the Ocean of Vedāntaḥ Concepts brought out in Dakṣiṇāmurty Stotram.  Realizing that I am getting old and spending time on spirituality, my son presented me with a book titled “The Upanishads” by Sri. Eknath Easwaran. This added fuel to the fire. As I was exploring these two topics, I learnt that I can’t do either if I don’t know Tattva Bodha. Now this is the third dimension to my time management. My preoccupation with these three books and commentaries by Swami Paramarthananda, Swami Omkaranada and Swami Sravapriyananda drove my grandchildren (my daughter’s young boys) to the conclusion that their “Thatha” (grandfather) who used to spend lot of time playing cricket and organizing/fixing the place rendered as a “mess” by them is not doing it anymore and is lost. They even declared my room as “Thatha’s Corner “– The lost and found room. The fact is that as a “Thatha” I am lost; but I am trying to find out as to who I am instead of where I am. 

How can I find out the answer to the question “Who am I”? The legendary Tamil Saint Thirumoolar comes to my rescue in his epic Thirumandiram

“நரருஞ் சுரரும் பசுபாசம் நண்ணிக்

கருமங்க ளாலே கழித்தலிற் கண்டு

குருஎன் பவன்ஞானி கோதில னானால்

பரமென்ற லன்றிப் பகர்வொன்று மின்றே”.

மனிதர்களும்,தேவர்களும் பாசத்தில் அகப்பட்டு பல்வேறு வினைகளைச் செய்து அதனால் அழிந்து போகின்றனர். இதைக் கண்ட பின்பு ஒருவன் செய்ய வேண்டியது என்ன? ஒரு குற்றமற்ற ஞானியைத் தன் குருவாகப் பற்றிக் கொண்டாலே போதும். “பரத்துடன் கூடி நீயும் பரம் ஆவாய்” என்று உபதேசம் செய்வதன்றி அந்த குரு செய்ய வேண்டியது எதுவும் இல்லை.

As mortals like me, get trapped by “attachment” and perform actions which lead us nowhere, one has to look for a Guru who will make him understand that “You are That”. Fine; I need a Guru. How do I look for Guru at this Old age? Thirumoolar gives a response to my query.

“ஆட்கொண்ட வர்தனி நாயகன் அன்புற

மேற்கொண்ட வர்வினை போயற நாடொறும்

நிற்கின்ற செஞ்சடை நீளன் உருவத்தின்

மேற்கொண்ட வாறலை வீவித் துளானே”.

ஒரு குருவாக வந்து மாணவனை ஆட்கொள்பவர் ஒப்பற்ற ஈசனே ஆவார். அவர் தன் மாணவனின் வினைகள் அழியும் வண்ணம் நாள்தோறும் உபதேசிக்கிறார். அவர் நீர்மலிந்த நீள் சடையை உடைய சிவனே அன்றி வேறு எவரும் அல்ல. சிவனே மனம் இரங்கியும் கீழே இறங்கியும் வந்து மாணவனின் வருத்துகின்ற வல்வினைகளை அழித்து விடுகின்றார்.

Thirumoolar further states Lord Siva Himself comes in the form of a Guru to help us understand ourselves. It is with this confidence, that I am undertaking this journey, with Lord Dakṣiṇāmurty as my Guru and Adi Śankarācārya’ Stotramon on the Lord as the first leg of my journey.

To be honest, nothing that I will be writing in the months to come is mine, except the attempt to focus my understanding and in that process try to express the Sanskrit Slokas in my mother tongue – Tamil; it is only my limited understanding of the vast literature available in public domain. The purpose of documenting my understanding is with the hope that someday someone as ignorant as me (hopefully not when they become “the lost Thatha”), will take baby steps as a novice like me, into this delightful field of spirituality holding this piece of document as the helping hand. If that happens, that will be the biggest gift that I would be automatically passing on (without holding back) to all the people in the public domain whose works I have used extensively. There is no commercial interest whatsoever.

A word of caution here – Millions of pages have been written over centuries by “Subject” – “Matter” – Specialists to provide commentaries for the Slokas in these books. Summing them up into few lines is absolutely immature and childish; yet as a child I have started my baby steps on Vedāntaḥ. Pardon me for that. But Children have the right to enquire and ask questions. The child I am, I am asking questions to myself with the fond hope that someday I will find answers as to who I am.

Seeking your Blessings and wishes as I commence my journey. You are most welcome to join me in my journey. Looking forward to your wonderful and valued company. A broad based schedule for April & May will be posted in the next blog.

Carnatic Musing 34 – Madhurambha Bhajare – Stavarajam Ragam

Composer

Muthuswamy Dikshithar

Audio Visual Link

https://www.dropbox.com/s/ebsclz75f7qjrnm/Madhramba%20Bhajare.mp4?dl=0

Meaning in English

Pallavi

O mind! Worship Meenakshi, the Goddess of the city of Madhura ,

the one served by Vishnu(father of Manmatha), Guruguha and others,

anupallavi

The resident of the city of Madhura, the giver of prosperity,the one who delights the hearts of Manu, Kubera etc.,

caraNam

The daughter of Sage Matanga, the one whose braid is black as a bumble-bee,the giver of fearlessness and (further) boons to Vishnu and others,the trusted one of devotees,the auspicious one, wearing fragrant products,the one who is pleased with praises offered in the Stavaraja Raga.

Meaning in Tamil

பல்லவி

மதுரை அம்மனைத் துதி .. மனமே

முத்தனும் மற்றோரும் குருகுகனும் பணியும் ………மதுரை

அனுபல்லவி

மதுரை நகர் வாழும், தயைராணி

மதன குபேராதிகள் மனமகிழும் ……..மதுரை

சரணம்

மாதங்க மகளே, தும்பிநிற குழலி

மாதவனோடு மற்றோர்க்கு அபயம் அளி மகதி

மத்தியம கால சாகித்யம்

பக்த விசுவாசினி மங்கள நாயகி

ஸ்த்வராஜ பாமாலை மகிழும் ….மதுரை

Sanskrit Verses

मधुराम्बाम् भजरॆ रॆ मानस

मदन जन्कादिगुरुगुह सॆवित

अनुपल्लवि

मधुरापुरि निवासिनिमधनिन्म्

मनुकुबॆरादि मनॊल्लासिनीम्

चरणं

मतःण्ग तनयाम् मधुकरवॆणीम्

माधवाद्यभयवर प्रदायिनीम्

मध्यम काल साहित्यम्

भक्त विश्वासिनीम् सुवासिनीम्

श्रि स्तवराजनुति प्रसादिनीम्

English Transliteration

pallavi

madhurAmbAM bhajarE rE mAnasa

madana janaka-Adi guru guha sEvita

anupallavi

madhurA puri nivAsinIM dhaninIM

manu kubEra-Adi mana-ullAsinIM

caraNam

matanga tanayAM madhu-kara vENIM

mA-dhava-Adi-abhaya vara pradAyinIM

bhakta viSvAsinIM suvAsinIM

SrI stavarAja nuti prasAdinIm

Meaning of the Sanskrit Words

पल्लवि

मधुराम्बाम् – मधुरा अम्बा – Madurai Goddess – Meenakshi

भजरॆ – worship

रॆ – oh

मानस – mind

मदन – Cupid /Manmadhan

जन्कादि – father

गुरुगुह – pen name of Dikshitar

सॆवित – serving

अनुपल्लवि

मधुरापुरि – Madurai City

निवासिनि – resident

धनिन्म् – giver of (prosperity)

मनुकुबॆरादि – मनु कुबेर, अदि – Manu, Kubera and others

मनॊल्लासिनीम् – मन उलासिनीम् – Hearts, delight

चरणं

मतःण्ग – Sage Matanga

तनयाम् – daughter

मधुकरवॆणीम् – मधुकर वेणीम् – bee braid (black braid)

माधवाद्यभयवर – माधव अधि अभय वर – Vishnu, others, fearlessness, boon

प्रदायिनीम् – giver

मध्यम काल साहित्यम्

भक्त – devotees

विश्वासिनीम् – trusted one

सुवासिनीम् – auspicious one/married woman

श्रिस्तवराजनुति- श्रिस्तवराज नुति – Sristhavaraja, praise

प्रसादिनीम् – delighted/pleased

Carnatic Musing 28 – Navarathri- Day 6 – Composition on Mahalakshmi

Composer

Muthuswamy Dikshitar. Pl refer http://musicinfoguide.blogspot.com/2007/08/muthuswami-dikshitar-1775-1835.html for biography and http://guru-guha.blogspot.com for his compositions

Audio Link

MS Subbulakshmihttps://www.dropbox.com/s/qnb1vnqng6pr4of/M%20S%20Subbulakshmi%20-%20Mahalakshmi%20-%20Madhava%20Manohari%20-%20Muttuswami%20Dikshitar-o2va-uQu4JI.mp3?dl=0

Meaning in English

O Mahalakshmi, flood of compassion! Protect me, O one who captivates the heart of Vishnu(Madhava),

O dweller in the chest of Mahavishnu, trusted by Shiva and Guruguha, extinguisher of evengreat sins! O embodiment of the stilled, unwavering mind! O mother of Manmatha and giver of good fortune and welfare!

O daughter of the milk ocean , the one extolled by the Vedas! and esteemed by kings(lords of the earth). O one always together with auspiciousness and benignity, one worshipped by Sarasvati, Rati and Indrani(Saci). O one enthroned in the hearts of the devoted, saluted by all Devas led by Brahma(the lotus-seated). You are pleased with the assembly of sages beginning with Narada and you are seated on a lotus. O occupant of noble hearts, one holding lotuses in your hands, Salutations always to you

Meaning in Tamil

பல்லவி

கருணைப் பேரலையாம் அருள்மிகு மகாலட்சுமியே

காத்திடுவாய் எமை மாதவன் மனம் மகிழும் மனோகரியே

அனுபல்லவி

அனந்த ஆழியன் மார்பில் உறையும்

அழற்கரத்தோனும் குருகுகனும் மதியும்

மாபெரு தீவினை தனையும் அழித்திடும்

மன்மதனை ஈன்ற மங்களம் வழங்கும்………கருணைப் பேரலையாம்

சரணம்

பாற்கடலில் உதித்த அலைமகளே வேதங்கள் போற்றும் திருமதியே

பார் புகழும் புவி அரசர்கள் வணங்கிடும் மங்களம் நிறையருள் வடிவே

பாரதியாம் கலைவாணியும் மன்மதரதியும் இந்திரசசியும் பூசிக்கும்

பக்தரின் மனம் உறையும், கமலம்அமர் நான்முகனும் வின்னவரும் வணங்கும்

மத்யம கால சாகித்யம்

வித்தகன் நாரதனும் முனியோரும் புடைசூழ மகிழும்

தாமரையில் வீற்றிருந்து தூயோரின் இதயமதில் கொலுவிருக்கும்

ஆம்பல் ஏந்திய கரங்களுடை அன்னையை அடிபணிவேன் எப்பொழுதும்

Sanskrit Verses

पल्लवि

महा लक्ष्मि करुणा रस लहरि

मामव माधव मनोहरि श्री

अनुपल्लवि

महा विष्णु वक्ष स्थल वासिनि

महा देव गुरु गुह विश्वासिनि

(मध्यम काल साहित्यम्)

महा पाप प्रशमनि मनोन्मनि

मार जननि मङ्गळ प्रदायिनि

चरणम्

क्षीर सागर सुते वेद नुते

क्षितीशादि महिते शिव सहिते

भारती रति शची पूजिते

भक्ति युत मानस विराजिते

(मध्यम काल साहित्यम्)

वारिजासनाद्यमर वन्दिते

नारदादि मुनि बृन्द नन्दिते

नीरजासनस्थे सुमनस्थे

सारस हस्ते सदा नमस्ते

English Transliteration

pallavi

mahA lakshmi karuNA rasa lahari

mAmava mAdhava manOhari SrI

anupallavi

mahA vishNu vaksha sthala vAsini

mahA dEva guru guha viSvAsini

(madhyama kAla sAhityam)

mahA pApa praSamani manOnmani

mAra janani mangaLa pradAyini

caraNam

kshIra sAgara sutE vEda nutE

kshitISAdi mahitE Siva sahitE

bhAratI rati SacI pUjitE

bhakti yuta mAnasa virAjitE

(madhyama kAla sAhityam)

vArijAsanAdyamara vanditE

nAradAdi muni bRnda nanditE

nIrajAsanasthE sumanasthE

sArasa hastE sadA namastE

Meaning of the Sanskrit Words

पल्लवि

महा लक्ष्मि – Mahalakshmi

करुणा – compassion

रस – essence

लहरि – flood

मां-अव – me, proect. (अवति)

मा-धव – vishnu

मनोहरि श्री – mind captivating lakshmi

अनुपल्लवि

महा विष्णु – vishnu

वक्ष – स्थल – place of the heart (bosom)

वासिनि – resides

महा देव – siva

गुरु गुह – pen – name of the poet

विश्वासिनि – trustworthy

महा पाप – great sin

प्रशमनि – destroys/kills/extinguish

मन-उन्मनि- form of durga

मार – god of love

जननि – mother

मङ्गळ – auspicious, welfare

प्रदायिनि – supplier/giver

चरणम्

क्षीर – milky

सागर – ocean

सुते – daughter

वेद – vedas

नुते – extoll

क्षिति-ईश-आदि – earth, king, others

महिते – worship/honor

शिव – auspiciousness

सहिते – together

भारती – Saraswathi

रति – Rathi

शची – Indrani

पूजिते – worship

भक्ति – युत – devotees

मानस – mind

विराजिते – resides

वारिज-आसन-आदि-अमर – lotus seated (brahma) and devas,

वन्दिते – prays

नारद-आदि – Narada and others

मुनि -बृन्द – group of sages

नन्दिते- pleased

नीरज-आसनस्थे – lotus seated

सुमनस्थे – noble hearts

सारस – lotus

हस्ते – hand

सदा – always

नमस्ते – salutations

Carnatic Musing 27 – Navarathri – Day 5 – Composition on Mahalakshmi

Composer

Muthuswamy Dikshitar. Pl refer http://musicinfoguide.blogspot.com/2007/08/muthuswami-dikshitar-1775-1835.html for biography and http://guru-guha.blogspot.com for his compositions

Audio Link

Nithyashree Mahadevan – https://www.dropbox.com/s/fpw7p3kxgr37zdm/Hiranmayeem%20Lakshmim-%20Nithyasree%20Mahadevan-OnzqdRJm6iU.mp3?dl=0

Meaning in English

I worship the golden colored Lakshmi and I give up depending on inferior mortals. The one who provides long term prosperity, the daughter of milky ocean, who has her dwelling place in the chest/heart of Lord Vishnu; the golden hued one with soft sprout like feet with a Lilly in her lotus like hand that has emerald beaded bangles.

Meaning in Tamil

பல்லவி

பொன்மேனி திருமகளை எந்நேரமும் வணங்கிடுவேனே

மண்ணாளும் மானிடரை மனதினில் நினைவறுப்பேனே

அனுபல்லவி

நிலையான வளம் தரும் பாற்றிருநீற்ற ஆழியின் புத்திரி

நிலமளந்தோன் நெஞ்சினிலே நிலை இல்லம் கொண்டு

இளந்தண்டெனும் பாதமுடன் கமலக்கரம்தனில் குவளையேந்தி

ஒளிமிகு மரகத மணிமய வளையல்கள் அணி…… பொன்மேனி

சரணம்

பாற்கடலில் உறையும் பத்மாசினியே

முக்கால வடிவாய் நிறைபவளே

வேதியர் போற்றும வேதநாயகியே

ஆம்பல் மாலையணி உன்னத அன்னையே

மாணிக்க ஆபரணமணி மகாலட்சுமியே

இசை வாத்யமதில் இனிய ஈடுடையவளே

உமையவளின் உயிரே, ஒப்பிலா எழிலே

முழுமதி வதன, தீனருக்கருளும் சிந்தாமணியே

இளமஞ்சள் நிறமாடையணி மலர்மங்கையே

குருகுகனின் மாமன் மனையாளே, வனப்புமிகு……. பொன்மேனி

Sanskrit Verses

पल्लवि

हिरण्मयीं लक्ष्मीं सदा भजामि

हीन मानवाश्रयं त्यजामि

अनुपल्लवि

चिरतर सम्पत्प्रदां

क्षीराम्बुधि तनयां

(मध्यम काल साहित्यम्)

हरि वक्षःस्थलालयां

हरिणीं चरण किसलयां

कर कमल धृत कुवलयां

मरकत मणिमय वलयाम्

चरणम्

श्वेत द्वीप वासिनीं

श्री कमलाम्बिकां परां

भूत भव्य विलासिनीं

भूसुर पूजितां वराम्

मातरं अब्ज मालिनीं

माणिक्याभरण धरां

गीत वाद्य विनोदिनीं

गिरिजां तां इन्दिराम्

(मध्यम काल साहित्यम्)

शीत किरण निभ वदनां

श्रित चिन्तामणि सदनां

पीत वसनां गुरु गुह

मातुल कान्तां ललिताम्

variations –

मणिमयमणि

English Transliteration

pallavi

hiraNmayIM lakshmIM sadA bhajAmi

hIna mAnavASrayaM tyajAmi

anupallavi

cira-tara sampatpradAM

kshIrAmbudhi tanayAM

(madhyama kAla sAhityam)

hari vakshaHsthalAlayAM

hariNIM caraNa kisalayAM

kara kamala dhRta kuvalayAM

marakata maNi-maya valayAm

caraNam

SvEta dvIpa vAsinIM

SrI kamalAmbikAM parAM

bhUta bhavya vilAsinIM

bhU-sura pUjitAM varAm

mAtaraM abja mAlinIM

mANikyAbharaNa dharAM

gIta vAdya vinOdinIM

girijAM tAM indirAm

(madhyama kAla sAhityam)

SIta kiraNa nibha vadanAM

Srita cintAmaNi sadanAM

pIta vasanAM guru guha –

mAtula kAntAM lalitAm

variations –

maNi-maya – maNi

Meaning of the Sanskrit Words

पल्लवि

हिरण्मयीं – gold colored/hued

लक्ष्मीं – Lakshmi

सदा – always

भजामि – pray/worship

हीन – inferior/poor

मानव-आश्रयं – human/mortal, depends on

त्यजामि – quitting/give up

अनुपल्लवि

चिरतर सम्पत्-प्रदां – long time, prosperity/wealth, giver

क्षीर-अम्बुधि तनयां – milk, sea/ocean, daughter

हरि वक्षः-स्थल-आलयां – vishnu, chest, place, house

हरिणीं – golden

चरण – feet

किसलयां – sprout

कर कमल धृत कुवलयां – hand, lotus, hold, water lilly

मरकत मणिमय वलयाम् – emerald, beaded, bangles

चरणम्

श्वेत – white (milky ocean)

द्वीप – island/planet

वासिनीं – resident

श्री कमला-अम्बिकां – परां – lotus (seated), mother, supreme

भूत – past

भव्य – future

विलासिनीं – (विलासिन् moving to & fro) विलासिनि – lady/wife/mistress

भूसुर पूजितां – brahmins (vedic scholars) worshipped

वराम् मातरं – best mother

अब्ज – lotus

मालिनीं – (मालिका – garland), मालिनि – wearing garland

माणिक्य-आभरण – gem studded jewels,

धरां – wear

गीत – song

वाद्य – musical instruments

विनोदिनीं – (विनॊदित. – delighted)

गिरिजां – Parvati

तां – dear

इन्दिराम्- splendor, beauty

शीत – moon

किरण – ray of light

निभ वदनां – alike, face

श्रित चिन्तामणि सदनां – subservient (devotee), wish-fulfilling gem, dwelling place

पीत वसनां – yellow, garment

गुरु गुह – guruguha (pen name of the composer)

मातुल – wife of maternal uncle

कान्तां – beautiful woman

ललिताम् – charming

Carnatic Musing 22 – Tyagarajam Bhajarae – Raga Yadukula Kaambhoji

Background information

For a complete appreciation of this composition I would strongly recommend the following link –

Sanskrit Verses

पल्लवि

त्यागराजं भजरे रे चित्त तापत्रयं त्यजरे

अनुपल्लवि

योगि राज हृदयाब्ज निलयं

भोगि राज नुत चरण किसलयं

(मध्यम काल साहित्यम्)

नाग राज मणि वलयं

रजताग राजं मुख कुवलयम्

चरणम्

पौलोमीशादि दिक्पाल पूजित गात्रं

नीलोत्पलाम्बानुकूलतर कळत्रम्

त्रैलोक्य गुरु गुह तातं त्रिनेत्रं

सालोकादि कैवल्य प्रद चरित्रम्

(मध्यम काल साहित्यम्)

नील कण्ठं अनेक फलदं

शूल पाणिं अशोक शुभदं

मूल भूतं अमूल्य वरदं

काल कालं अखण्ड सुखदम्

variations –

त्यजरेत्यजरे रे चित्त

English Transliteration

pallavi

tyAgarAjaM bhajarE rE citta tApa-trayaM tyajarE

anupallavi

yOgi rAja hRdayAbja nilayaM

bhOgi rAja nuta caraNa kisalayaM

(madhyama kAla sAhityam)

nAga rAja maNi valayaM

rajatAga rAjaM mukha kuvalayam

caraNam

paulOmISAdi dikpAla pUjita gAtraM

nIlOtpalAmbAnukUla-tara kaLatram

trai-lOkya guru guha tAtaM tri-nEtraM

sAlOkAdi kaivalya prada caritram

(madhyama kAla sAhityam)

nIla kaNThaM anEka phaladaM

SUla pANiM aSOka SubhadaM

mUla bhUtaM amUlya varadaM

kAla kAlaM akhaNDa sukhadam

variations –

tyajarE – tyajarE rE citta

kshEtra – tiruvArUr

Meaning of the Sanskrit Words

pallavi

रॆ रॆ चित्त. – rE rE citta – O mind!

भज – bhaja – Worship

त्यागराजं – tyAgarAjaM – Tyagaraja!

त्त्यज – tyaja – Give up

तापत्रयं – tApa-trayaM – the three kinds of suffering! The three kinds of suffering are:

• 1. AdhyAtmika, sufferings from one’s own mind and body

• 2. Adhidaivika, sufferings arising from unseen forces, gods and nature

• 3. Adhibhautika, sufferings from other living creatures

anupallavi

योगि राज हृदय-अब्ज निलयं – yOgi rAja hRdaya-abja nilayaM – (Him who is) the one residing in the heart-lotuses of the supreme Yogis,

भोगि राज नुत चरण किसलयं -bhOgi rAja nuta caraNa kisalayaM – the one whose sprout-like, tender feet are worshipped by Adisesha, the king of snakes,

नाग राज मणि वलयं – nAga rAja maNi valayaM        – the one whose bejeweled bracelet is the king of snakes,

रजत-अग राजं – rajata-aga rAjaM              – the lord of Kailasa (the silver hill),

मुख कुवलयम् – mukha kuvalayam               – the lotus-faced one,

caraNam

पौलोमी-ईश-आदि दिक्पाल पूजित गात्रं – paulOmI-ISa-Adi dikpAla pUjita gAtraM – the one whose form is worshipped by the guardians of the (eight) directions beginning with Indra (lord of Sachi who is the daughter of Puloman),

नील-उत्पल-अम्बा-अनुकूल-तर कळत्रम् – nIla-utpala-ambA-anukUla-tara kaLatram – the one who has Goddess Neelotpalamba as his most congenial wife,

त्रै-लोक्य गुरु गुह तातं – trai-lOkya guru guha tAtaM    – the father of Guruguha (preceptor to the three worlds),

त्रि-नेत्रं – tri-nEtraM – the three-eyed one,

सालोक-आदि कैवल्य प्रद चरित्रम् – sAlOka-Adi kaivalya prada caritram – the one whose nature it is to bestow the four levels of liberation, beginning with Salokya. [The four types or levels of liberation are ‘sAlokya’ (residing in the same world as the deity), ‘sAmIpya’ (residing in the proximity of the deity), ‘sArupya’ (acquiring a form similar to the deity) and ‘sAyujya’ (oneness with the deity)]

नील कण्ठं – nIla kaNThaM – the blue-throated one,

अनेक फलदं – anEka phaladaM – the giver of manifold benefits,

शूल पाणिं – SUla pANiM – the one holding a trident in his hand,

अशोक शुभदं – aSOka SubhadaM – the giver of good fortune that is devoid of sorrows,

मूल भूतं – mUla bhUtaM – the fundamental or original source (of the universe),

अमूल्य वरदं – amUlya varadaM – the giver of priceless boons,

काल कालं – kAla kAlaM – the destroyer of Yama,

अखण्ड सुखदम् – akhaNDa sukhadam – the bestower of undivided bliss.

Meaning in Tamil

பல்லவி

வந்தனை செய்திடுவாய் மனமே திருஆரூர் தியாகராஐனையே

சிந்தனையிலே நிறுத்தி, நீக்கிடுவாய் விளைமுத் துயர்தனையே

அனுபல்லவி

உயர்ஞானியர்தம் இதயக்கமலம் உறைவோனை

பன்னகன் பணியும் தளிர்ப்பாதமுடை பச்சையன் போற்றும்

பன்னக கடகம் அணி கமலமுக கயிலை நாதனைவந்தனை

சரணம்

புலோமநாத அமரனும் எண்திசை காவல்தெய்வம்துதி வடிவோனை

கருங்குவளை நாயகி நாதனை மூவுலகாளும் குருகுகனின் தந்தையை

முக்கண்ணனை முக்திக்கு வித்திடும் இயல்புடை முதல்வோனை..வந்தனை

மத்தியமகால சாகித்யம்

பயன்பல வழங்கும் சூலமேந்தும் கரமுடை திருநீலமிடறோனை,

துயரிலா அருள் வளம் நிறை மூலப்பொருளோனை, சீர்மிகு வரம் தரும்

காலனை வதைத்தோனை, பேரின்ப நிலை தரும் பெரியோனைவந்தனை

Carnatic Musing 21 – Composition on Lord Subramanya – Nattakurinji Ragam

Composer – Sri Muthuswamy Dikshithar- Refer https://karnatik.com/co1002.shtml and http://guru-guha.blogspot.com

Background Information on the Raga – Please refer https://sujamusic.wordpress.com/nattakurinji/

Audio Link:

Maharajapuram Santhanam – https://www.dropbox.com/s/mckh0npsdrv92c2/Maharajapuram%20Santhanam-Parvathi-kumaram-Natakurunji-Rupakam-Dikshitar-h8uwI-iyBTE.mp3?dl=0

Jayamangala Krishnamani – https://www.dropbox.com/s/twx17y8fxw6hp31/Jayamangala%20Krishnamani%2001%20pArvati%20kumAram%20bhAvayE-GaoWErPl4bo.mp3?dl=0

Background Information on the temple :

In English – https://drlsravi.blogspot.com/2014/07/sri-margabandheeshwarar-temple-at.html

In Tamil – https://www.maalaimalar.com/devotional/devotionaltopnews/2016/05/30100743/1015241/Virinchipuram-Margabandheeswarar-temple.vpf

Meaning in English

I meditate always upon Guruguhan, the son of Goddess Parvati whose six letter mantra is Sa ra va na bha va.

I meditate upon The dear son of Shiva (Marga-sahayeshwara), the one praised by Devas led by Vishnu, and other celestial beings, the one dazzling with a ruby(-studded) crown, the one who is venerated for the glory of his qualities

Meaning in Tamil

பல்லவி

பார்வதி குமாரனை பணிந்திடு என்றும்

சரவணபவ குரு குகனை, அருள்மிகு

சமஷ்டி சரணம்

மாரக்கபந்தீஸ்வரனின் (வழித்துணை நாதனின்) நேசமிகு குமரன்

மாயவனும் இந்திரனும் மற்றோரும் போற்றும்

மத்யம கால சாகித்யம்

மின்னும் மாணிக்க மகுடம் அணியும்

மதிப்புமிகு நற்குண அருள்வடிவாம் ……… பார்வதி

The Sanskrit Verses

पल्लवि

पार्वती कुमारं भावये सततं

शरवण भव गुरु गुहं श्री

समष्टि चरणम्

मार्ग सहाय प्रिय सुतं

माधवाद्यमरादि नुतं

(मध्यम काल साहित्यम्)

माणिक्य मकुट शोभित –

मानित गुण वैभवम्

English Transliteration

pallavi

pArvatI kumAraM bhAvayE satataM

SaravaNa bhava guru guhaM SrI

samashTi caraNam

mArga sahAya priya sutaM

mAdhavAdyamarAdi nutaM

(madhyama kAla sAhityam)

mANikya makuTa SObhita –

mAnita guNa vaibhavam

Meaning of the Sanskrit Words

Pl refer http://guru-guha.blogspot.com/2008/02/dikshitar-kriti-parvathi-kumaram-raga.html

Carnatic Musing 20 – Prayer to Lord Hanuman – Carnatic Musing 27 – Ragam Shankarabharanam – Nottu Swara Sahityam.

Composer

Sri. Muthuswamy Dikshithar- Please refer https://karnatik.com/co1002.shtml and http://guru-guha.blogspot.com

A note on Nottu Swara Sahityam

Please refer https://learncarnaticmusicblog.wordpress.com/2015/12/10/nottuswara-sahithya-a-great-way-to-start-learning-carnatic-music/

Audio Link

Listen to Bangalore Brothers at https://www.dropbox.com/s/q7lrb0rczxpsvox/Anjaneyam%20Sadaa%20Bhaavayami%20-%20Nottuswaram%20-%20Bangalore%20Brothers-ow43K6BiGpo.mp3?dl=0

Meaning in English

I always pray Anjaneya. I meditate with bliss, the immeasurable Hanuman. He is the son of Anjana and the well known leader of the monkeys. He has 5 faces and is worshipped by Indra and others. He is adored by Guru Guhan (Lord Subramanya). He always serves the lotus feet of Lord Rama. He holds the Sanjivini mountain in his hands. He has a beautiful lotus like face. Let us always pray the Emissary of Lord Ram.

Sanskrit Verses

आञ्जनेयं सदा भावयामि

अप्रमेयं मुदा चिन्तयामि

अञ्जना नन्दनं वानरेशं वरं

पञ्च वक्त्रं सुरेशादि वन्द्यम्

गुरु गुह हितं शान्तं

सदा सेवित श्री राम पाद पङ्कजं

सञ्जीवि पर्वत करं मुखाब्जं

सदा रामचन्द्र दूतं भजे

English Transliteration

AnjanEyaM sadA bhAvayAmi

apramEyaM mudA cintayAmi

anjanA nandanaM vAnarESaM varaM

panca vaktraM surESAdi vandyam

guru guha hitaM SAntaM

sadA sEvita SrI rAma pAda pankajaM

sanjIvi parvata karaM mukhAbjaM

sadA rAmacandra dUtaM bhajE

Meaning in Tamil

அனுமனை அனுதினமும் அண்டிடுவேன் எப்பொழுதும்

அளவிலாதோனை மகிழ்வுடன் மனதினில் நிறுத்திடுவேன்

அஞ்சனா புதல்வன், வானரம்தனின் மேன்மைமிகு தலைவன்

அமரனும் விண்ணோரும் போற்றும் ஐந்துமுகத்தோன்

அறுமுகன் போற்றும் அமைதியின் வடிவோன் அவன்

அஞ்சனவண்ணனின் ஆம்பல் பாதமிரு இடைவிடா சேவை புரி,

சஞ்சீவிமலைதனை கரமதில் ஏந்தும், அலரொப்ப அழகுமுக,

அருள்மிகு ராமதூதனை அனுதினம் எந்நேரமும் அடிபணிவோமே!

Meaning of the Sanskrit Words

सदा भावयामि – sadA bhAvayAmi     – I always meditate upon

आञ्जनेयं – AnjanEyaM          – the son of Anjana.

मुदा – mudA               – With happiness,

चिन्तयामि – cintayAmi          – I think of

अप्रमेयं – apramEyaM          – the immeasurable one,

अञ्जना नन्दनं – anjanA nandanaM    – the joy of Anjana,

वानर-ईशं वरं – vAnara-ISaM varaM  – the eminent lord of monkeys,

पञ्च वक्त्रं – panca vaktraM – the five-faced one, (panca vaktraM – five faces of Hanuman are East; varAha – South; garuDa – West; nRsimha – North; hayagrIva – Above (top); (the direction of varAha and nRsimha are interchanged in some sites. Pl ref https://en.wikipedia.org/wiki/Panchamukha)

These five faces are said to correspond to five faces of Siva and panca prANa)

सुरेश-आदि वन्द्यम् – surESa-Adi vandyam – the one saluted by Indra and others,

गुरु गुह हितं – guru guha hitaM    – the one agreeable to Guruguha,

शान्तं – SAntaM             – the tranquil one,

सदा सेवित श्री राम पाद पङ्कजं – sadA sEvita SrI rAma pAda pankajaM – the one who always serves the lotus feet of Shri Rama,

सञ्जीवि पर्वत करं – sanjIvi parvata karaM – the one lifting the Sanjivi mountain in his hand,

मुख-अब्जं – mukha-abjaM        – the lotus-faced one.

भजे – bhajE              – I worship

सदा – sadA               – always

रामचन्द्र दूतं – rAmacandra dUtaM – the Emissary of Ramachandra.