Dakshinamurthy Stothram Sloka 8 – காயப் பறவையின் ஒப்பனை கலந்த உறவுகள் – Illusionary Transactions of the Self

Preamble

We saw in the introductory blog earlier that this “jivatma” which was “relation less” and who is otherwise a witness “Saakshi” becomes related due to the influence of Maya, becomes an actor and the misery starts with transactions and continues till we know our true self through “atma gnanam”. Adi Sankara outlines a few relationships in this Sloka.

Audio Link

https://www.dropbox.com/s/mnp6fmu9ps0gip3/Sloka%208%20-%20Vishwam%20Pashyati%20Kaarya.mp3?dl=0

Sanskrit Sloka

विश्वं पश्यति कार्यकारणतया स्वस्वामिसम्बन्धतः
शिष्याचार्यतया तथैव पितृपुत्राद्यात्मना भेदतः ।
स्वप्ने जाग्रति वा य एष पुरुषो मायापरिभ्रामितः
तस्मै श्रीगुरुमूर्तये नम इदं श्रीदक्षिणामूर्तये ॥८॥

Meaning in Tamil

மாயையவள் வசப்பட்டு உழலும்,

காயமுறை சீவன், கனவிலும் நனவிலும்

காரிய காரண தன்மை கொண்டு,

உடையான் உடமை எனவும்

ஆசான் சீடன் எனவும்,

அருமை தந்தை மகன் எனவும்,

பேதம் பல ஈண்டு

பாடிடுமே பல உறவு கொண்டு.

மோடம் போட்ட அப்பேதம் நீக்கி,

காயமுறை பற்றிலா அச்சீவனே

மாசிலா முழுநிறை இறையென உரை,

ஆதிஅந்தமிலா மோனநிலை ஆசானாம் அந்த அருள்மிகு

தக்ஷிணாமூர்த்தி பொற்பாதம் பணிந்திடுவோம்

Meaning in English

The differentiations that we see in the world as Cause and Effect, as possessor-possession, relations as the disciple & teacher, and also as father & son etc., are all differentiations within the one Ātman. In Dream or Waking state, He, the One Puruṣaḥ  is always present, and (as if) Maya wanders over Him and gives rise to all these Differentiations. Salutations to Him, the Personification of Our Inner Guru Who Awakens This Knowledge through His Profound Silence; Salutation to Sri Dakṣiṇāmurty.

Understanding the Sloka

The Role of Maya

Let us look at the third line first: य एष पुरुषो मायापरिभ्रामितः eṣa: puruṣaḥ māyā paribhrāmitaḥ;

1. It means – This ordinary person in the world; even though he may be worldly-educated; who is spiritually and scripturally-illiterate; he is māyā paribhrāmitaḥ; { माया māyā means avidya परिभ्रम Paribhrama = Moving To and Fro, Wander/drift}. மாயையவள் வசப்பட்டு உழலும்

2. This means that he is confused because of avidya and therefore instead of taking original sākṣi svarūpam as himself; he mistakes the incidental-ahaṃkāra as himself drifts into the attached-self called ahaṃkāra I; I am going to certainly become a relative individual, related to the external world; asaṃga sākṣi (the unattached witness), becomes ससंगजीवः sasaṃga jīvaḥ (attached soul); relationless pure sākṣi-I, have now drifted and fallen down to a relative samsāri-I;

3. This means that every relation is causing one form of samsāra or the other. There is no relationship which is free from problems; In fact, if there is a relationship free from problems then the end of the relationship will cause problems; If there is a relationship so beautiful and wonderful and enjoyable, even that wonderful relationship becomes a problem when the relationship has to end because of time/kala, because of prarabdhaḥ, because of any reason. Therefore, a problem free relationship is an oxymoron; it does not exist. And therefore, the sākṣi-I, who is ever free, now has fallen down to ahaṃkāra-I, with varieties of problems.

Relationship

A few empirical relationships are enumerated in the sloka i.e., कार्यकारण संबन्धः kāryakāraṇa saṃbandhaḥ; cause and effect relationship. I-as-jīvātma, the ahaṃkāra-I, am a product of my own past karma; my prarabdhaḥ karma has given me this personality; this physical, this emotional, this social personality. Therefore, I am never a free person; I am tossed up and down; by my own karma; thus I am a कार्मय kāryam; my karma becomes the kāranam for my situation.

Let us see a few of the cause & effect relationships.

  • 1. स्वस्वामिसम्बन्धतः svasvāmisambandhataḥ; स्वस्वामि (Svasvaami = Possessor and Possession & सम्बन्ध (Sambandha = Relation). That means as ahaṃkāra, I am related to several possession, as owner-owned sambandhataḥ; and ownership means, there is a yogakṣema samsāra. yogakṣema samsāra means acquisition-maintenance samsāra is there like. உடையவன் – உடமை உறவுகள்.
  • 2-3. शिष्याचार्यतया तथैव पितृपुत्राद्यात्मना भेदतः Shissya-[A]acaarya-Tayaa Tatha-Eva Pitr-Putraady[i]-Aātmanaa Bhedatah |
  • शिष्याचार्यतया śiṣyacāryatayā; means guru-śiṣya sambandhataḥ. ஆசான் – சீடன் உறவுகள்.
  • पितृपुत्राद्यात्मना pitṛ putrādyātmanā; means father son adhi etc. தந்தை – மகன் உறவுகள் (சொந்தம் எப்போதும் தொடர் கதைதான், முடிவே இல்லாதது)

So, the māyā paribhrāmitaḥ puruṣaḥ drifted and fallen down from a relationless pure sākṣi-I, to relative samsāri-I in either of the स्वप्ने जाग्रति वा Svapne Jaagrati Vaa avastha, whether it is waking state or dream state, gets into the inevitable saṃsāraḥ.

Of course we get some interval and relief in सुषुशि अवस्त suṣupti avasta, wherein we do not worry about the family members and society and other problems, and unfortunately we cannot sleep for long. The sleep is only for a few hours and older we grow, lesser the sleep also. Therefore even sleep is not a permanent solution; even death is not a permanent solution, because punarjanma brings in punaha sambandhataḥ and samsāra; And therefore this jeevathama, puruṣaḥ ha; who is really a sākṣi; that purushā, māyā paribhrāmitaḥ; as is confused because of māya.

Relationships & The Birds on a Tree – A Vedic Perspective

Talking about the relationships of the unattached witness and the attached soul, the famous two birds in one tree Sloka from the Upanishads provides the classic conceptual framework for this Sloka in Dakshinamurthy Stothram.

The Shruti, says: By Mâyâ, Siva became two birds always associated together; the One, clinging to the one unborn (Prakriti), became many as it were (vide Mundaka- Up. 3-1; Yâjniki-Upanishad 12–5).

The Mundakopanishad Sloka 3.1.1:

द्वा सुपर्णा सयुजा सखाया समानं वृक्षं परिषस्वजाते ।

तयोरन्यः पिप्पलं स्वाद्वत्त्यनश्नन्नन्यो अभिचाकशीति ॥ १ ॥

dvā suparṇā sayujā sakhāyā samānaṃ vṛkṣaṃ pariṣasvajāte |

tayoranyaḥ pippalaṃ svādvattyanaśnannanyo abhicākaśīti || 1 ||

Meaning of the Sanskrit Words – “Suparnau – two of good motion or two birds; (the “word Suparna” being used to denote birds generally); Sayujau – inseparable, constant, companions; Sakhayau – bearing the same name or having the same cause of manifestation. Being thus, they are perched on the same tree (‘same,’ because the place where they could be perceived is identical). ‘Tree’ here means ‘body;’ because of the similitude in their liability to be cut or destroyed. Parishasvajate – embraced; just as birds go to the same tree for tasting the fruits.

Two birds bound to each other in close friendship are perched on a tree. While one of the birds is busy consuming the fruits of the tree with great relish, the other seems to be in a state of detached equanimity just looking at its compatriot. The tree in this example represents the body. The bird busying itself with the material pleasures accorded by the tree is the ‘Jivātma’ (individual soul), that has an inextricable identification with the body and mind. Such an identification makes the Jivātma both the ‘karta’ (doer) and the ‘Bhokta’ (enjoyer). The observing bird on the other hand, represents the ‘Paramātma’ (the Supreme Self). The Supreme Self remains uninfluenced and untainted by any material pleasures and possessions and remains a still tranquil witness.

Adi Śankarācārya in his commentary to this sloka says – This tree as is well known has its root high up (i.e., in Brahman) and its branches (prana, etc..) downwards; it is transitory and has its source in Avyakta (maya). It is named Kshetra and in it hang the fruits of the karma of all living things. It is here that the Ātman, conditioned in the subtle body to which ignorance, desire, karma and their unmanifested tendencies cling, and Isvara are perched like birds. Of these two so perched, one, i.e., kshetrajna occupying the subtle body eats, i.e., tastes from ignorance the fruits of karma marked as happiness and misery, palatable in many and diversified modes; the other, i.e., tbe lord, eternal, pure, intelligent and free in his nature, omniscient and conditioned by maya does not eat; for, He is the director of both the eater and the thing eaten, by the fact of His mere existence as the eternal witness (of all); not tasting, he merely looks on; for, his mere witnessing is direction, as in the case of a king.”

The Way Forward

Swami Dayananda Saraswathi in his lecture says that in all but one relationship listed by Adi Sankara , the “bedha”- the difference between the Atma and the Maya influenced Jeeva continues to exist eternally irrespective of the transactions. The guru-shishya relationship even though is a cause and effect relationship is the only one which ensures that the influence of Maya is nullified and the true nature of Jeeva is revealed through the guru’s teachings. In that state, even the guru-shishya relationship withers away and so too the other relationships.

And that is perhaps why Adi Śankarācārya says, even this confused jeeva is really none other than that dakṣiṇāmūrti only and therefore he says Tasmai Shri Gurumoorthaye; To that Gurumoorthy, dakṣiṇāmūrti , my namaskaraha.

அன்பு சிவமிரண் டென்ப ரறிவிலார்

அன்பே சிவமாவ தாரு மறிகிலார்

அன்பே சிவமாவ தாரு மறிந்தபின்

அன்பே சிவமா யமர்ந்திருந் தாரே

என்ற திருமந்திரப் பண் இக்கருத்தினைப் பிரதிபலிக்கிறது.

This, in essence is the eighth Sloka.

Long distance shoot using iPhone from the balcony of my house.

Dakshinamurthy Sthothram – Sloka 2 – Introduction – Part 2 – The Spider & The Creator

Mundaka Upanishad 1.1.7

We saw in the previous blog that Brahman/God, the one “which is invisible, inconceivable, without lineage, without any classifications (Varṇa), without eyes and ears, without hands and feet, and that which is eternal, all-pervasive, omnipresent, extremely subtle and undecaying” is the source of all beings. We also saw that we need an intelligent cause and a material cause for a creation. Now, we have a logical question that may arise in one’s mind to answer “How can this universe and physical beings come out from such an entity that is beyond physical attributes”?

In the two videos we saw how the spider creates a web. The Spider in-fact is a great teacher and a living example of the creation process adopted by God/Brahman/The Ultimate Reality. What does the spider teach about? It teaches about īśvaraḥ.

Spider is the intelligent cause behind the web; and most interestingly, spider never goes after any raw material; the raw material is found within itself. spider is nimittam and upādānam.

यथोर्णनाभिः सृजते गृह्णते च यथा पृथिव्यामोषधयः संभवन्ति |

यथा सतः पुरुषात् केशलोमानि तथाक्षरात्संभवतीह विश्वम् || 1.1.7 ||

yathā- as, just like; ūrṇanābhi- spider; sṛjate- emits;

gṛhṇate- take back; ca- and; pṛthivyām- on the earth;

oṣadhayaḥ- herbs; saṃbhavanti- spring up;

sataḥ puruṣāt – from living person; keśalomāni- hairs (on head and body); tathā- so, in that manner;

akṣarāt- from the imperishable; saṃbhavati- arises, happens; iha- here, this; viśvam- universe.

As a spider emits threads (and makes its web) and takes them back (at his will), as herbs spring up on earth and as hairs grow from living persons, so does the universe arise from the Imperishable (entity).

We must note that the spider is unaffected by the emission of thread and also outlives the thread; moreover, it also sustains the thread and also withdraws it at its will.

In the same way, Mundaka upanishad points out that Brahman the paramātma is the intelligent and the material cause of the universe and therefore, before creation, there was only non-dual Brahman, which served both as the intelligent cause as well as the raw material to produce the universe. And therefore, paramātma is said to be jagat abinna nimitta upādāna kāraṇam. And the world is the kāryam.

Whenever this subject of the Spider comes, my mind goes immediately to the Discourse by the legendary Sengalipuram Anantharama Dikshithar around the year 1960 at Matunga in Mumbai (I don’t know the exact year and date) while explaining the significance of Vishnu Sahasranama. Here is that rare audio clip. This is in Tamil. செங்காலிபுரம் அனந்தராம தீட்சிதர் உபன்யாசம்

Audio Link:

So, the Creator is the Ultimate Reality, “an undefinable something which is everything”. We call Him as GOD.

A doubt can arise in the mind of the seeker. “Ok. Understood that God is the Creator. How does He create the world? What materials does He use? How does He present his creation? Why is He creating?

Adi Sankaracharya answers these questions in Sloka 2 with two examples, which we will see in the next blog.

Infinity – முழுமை – पूर्णम्

In Tamil, we use the word கடவுள் (kadavul) to indicate God. நம்மைக் கடந்தும் (kada) நமக்கு உள் (ul) இருப்பதுவே கடவுள் (Meaning that the one which is away from us and yet inside us is God). A very simple word with very deep meaning. One can keep contemplating on this word alone. Deeper introspection will drive us to the concept of Infinity. Talking about infinity from a philosophical perspective will take us directly to this very famous Sloka (Hymn). This śloka is from the Bṛhadāraṇyaka Upanishad and forms the mangalācarana mantra (Shanthi Sloka) for the Īśāvāsya Upanishad.

Excerpts from various commentaries on this sloka is summarised as understood by me in https://soundar53.substack.com/p/infinity

The Fairy “I” can’t fathom – She, the Big M

“It is an oft-quoted saying that philosophy begins in wonder. The mystery of the world with all its changes strikes the reflective temper. The Vedic philosophy grew out of a demand for the explanation of actual experience. Philosophy bade men seek beneath all change, which is the law of life, unity and persistency. All things are passing; what remains? Anything or nothing? The Vedic age raised the problem of philosophy and offered a solution. It was then that attempts to reflect upon the world of experience were made for the first time. When we reflect upon the world of experience, the word illusion (“Maya”) comes to the foreground.

The doctrine of Maya is consideredby many thinkers,to be an integral part of the Vedanta philosophy. The Vedanta system is supposed to be an acosmic pantheism, holding that the Absolute called Brahman alone is real and the finite manifestations are illusory. There is one absolute undifferentiated reality, the nature of which is constitutedby knowledge. The entire empirical world, with its distinction of finite minds and the objects of their thought,is an illusion. Subjects and objects are like the fleeting images which encompass the dreaming soul and melt away into nothingness at the momentof waking.

The term Maya signifies the illusory character of the finite world.” ( Dr. S. Radhakrishnan, Eminent Indian Philosopher)

Wait a minute; does this statement strike a chord in us – in today’s COVID-19 environment?

It looks like it happened “just recently”. A year and a quarter has passed since the virus silently spread across the world. Millions of lives lost. Inter and intra relationships & transactions among and within individuals and society have been completely turned around leaving one to wonder whether it is all a dream and whether we all are waking up to a new state after a deep sleep. Yes, all the three basic states of our Consciousness (awake, dream and deep sleep) have come to play in this crucial time in each one of us thanks to Maya (She, The Big M,I call it).

Well, to me it appears like that; so I woke up after my second vaccination, with a new found determination to explore Maya and her origin, the Vedanta. True to its nature, the Big M treated me like a kid (which I am) and presented me with an exclusive giant Mall with infinite toy stores. No wonder I am lost. Not to disappoint me, the Big M presented me with three books titled Tattva Bodha, Isavasya Upanishad and Dakshinamurthy Stothram.

The last 2 weeks have been fairly severe in terms of the weather; temperatures dropping to single digits (deg F) and snow storms lashing cities forcing kids like me to seek the comfort of our cozy home – that means the Big M has given me an opportunity to deep dive into the books that I got from Her. Each Sloka (Verse) and each word in the three books, is sending me into “space walks” in search of the Self . Holding each Sloka as my life line, I venture into the space of contemplation. Whenever I return back to my home base, I stare through the window at the vast white carpet of snow all around and tried to relate my space walk with the “ground reality”.

In one such “stare” in the early morning after I went on my 18th space walk (corresponding to the 18th Sloka of the Isavasya Upanishad) , the day after the snow storm I did have a direct response from the principal character of that Sloka. Here is that Sloka, its meaning in English and Tamil and the response of the character .

A word of caution here – Millions of pages have been written over centuries by “Subject” – “Matter” – Specialists to provide commentaries for the Slokas in these books. Summing them up into few lines is absolutely immature and childish; yet as a child I have started by scribblings on Vedanta. Pardon me for that.

But Children have the right to enquire and ask questions. The child I am, I am asking questions to myself with the fond hope that someday I will find answers.

The Sloka

अग्ने नय सुपथा राये अस्मान्विश्वानि देव वयुनानि विद्वान् ।

युयोध्यस्मज्जुहुराणमेनो भूयिष्ठां ते नम उक्तिं विधेम ॥ १८ ॥

English Transliteration

agne naya supathā rāye asmānviśvāni deva vayunāni vidvān |

yuyodhyasmajjuhurāṇameno bhūyiṣṭhāṃ te nama uktiṃ vidhema || 18 ||

Meaning in Tamil

அழல் தெய்வமே ! புரிவினை யாவுமறிந்திட்டுயாம்

நல்வினைப் பயனை துய்த்திட நல்வழியே நடத்திடு

உள் உறை தீவினை வஞ்சம்தனை விடுத்திடு

அளித்திட்டேன் பக்தியுடன் எம் வணங்குதலை

Meaning in English

O god of fire, lead us by the good path

To eternal joy. You know all our deeds.

Deliver us from evil, we who bow

And pray again and again.

(From The Upanishads by Eknath Easwaran)

The response

Music Courtesy: Jagruthi an awakening by Music India. (No commercial interests for me).