Narayaneeyam – Daskam 2 – Sloka 2

Preamble:

When I was trying to understand this Sloka, I was reminded of the introduction that Dr S. Radhakrishnan provided to his commentary on Bhagwad Gita.

“dvaitam mohAya bodhAt prAk. prApte bodhe manIshayA pUjArtham kalpitam dvaitam advaitAdapi sundaram”

“Before the rise of knowledge, duality is misleading but when our understanding is enlightened, we perceive that duality is more beautiful than even non-duality and is conceived so that there might be worship”.

Narayana Bhattathri, an enlightened soul “looked at the Eternal one not so much as the God of philosophical speculation but as the God of Grace such as the heart and the soul need and seek; a God who inspires personal trust, love, reverence and loyal self-surrender”. No wonder he comes out with this poetic description of the Lord’s beauty. Let us enjoy his description.

Audio Link

https://www.dropbox.com/s/hlnmdt915pmpq9l/Verse%202.2.mp3?dl=0

Sanskrit Verse

केयूराङ्गदकङ्कणोत्तममहारत्नाङ्गुलीयाङ्कित

श्रीमद्बाहुचतुष्कसङ्गतगदाशङ्खारिपङ्केरुहाम्

काञ्चित् काञ्चनकाञ्चिलाञ्च्छितलसत्पीताम्बरालम्बिनीम्

आलम्बे विमलाम्बुजद्युतिपदां मूर्तिं तवार्तिच्छिदम् ॥२॥

English Transliteration

keyuuraangada kankaNOttama mahaaratnaanguliiyaankitashriimadbaahu

chatuShka sangata gadaa shankhaari pankeruhaam |

kaa~nchit kaa~nchana kaa~nchilaanChita lasatpiitaambaraalambiniim

aalambe vimalaambujadyutipadaaM muurtiM tavaartichChidam

Transliteration in Tamil

கேயூராங்க₃த₃கங்கணோத்தமமஹாரத்நாங்கு₃லீயாங்கித-

ஶ்ரீமத்₃பா₃ஹுசதுஷ்கஸங்க₃தக₃தா₃ஶங்கா₂ரிபங்கேருஹாம் |

காஞ்சித் காஞ்சநகாஞ்சிலாஞ்ச்சி₂தலஸத்பீதாம்ப₃ராலம்பி₃நீ-

மாலம்பே₃ விமலாம்பு₃ஜத்₃யுதிபதா₃ம் மூர்திம் தவார்திச்சி₂த₃ம் || 2||

Meaning in Tamil

கடயம் கங்கணம், விரலதனில் அரிய ரத்தின மோதிரம்

கதாயுதம், சங்கு சக்கரம், தாமரை ஏந்தும் நான்திருக்கரம்

ஒளிமிகு மஞ்சள் பட்டாடை பொன் மேகலை அலங்காரம்

எழில்மிகு தூய கமலஉடல் தாங்குமிரு மென்மலர் பாதம்

அடியார் அல்லல் அறுத்தாட்கொளும் வரையறு இயலா உன்

வடிவம்தனை தஞ்சமென சரணடைந்தேன் குருவாயூரப்பனே 2.2

Meaning in English

I take refuge in Your form with ornaments such as) Keyur (epaulets) Angada (armlets) Kankana (bracelets)and finger rings, studded with gems adorning the sacred four arms, holding the mace, the conch, the discus and the lotus, wearing a yellow resplendent silk cloth, fastened by a golden waist band with pure lotuses like lustrous feet. Oh Lord I take refuge in Your indescribable form that removes the woes of the devotees.

Meaning of the Sanskrit Words

• केयूराङ्गद- – keyur + angada – shoulder guard, armlet – தோளணி, கடயம்

• कङ्कणोत्तम- bracelet – காப்பு, கங்கணம்

• केयूराङ्गद-कङ्कणोत्तम-महारत्न-आङ्गुलीय-अङ्कित- = (ornaments such as) Keyur (epaulets) Angada (armlets) Kankana (bracelets)and finger rings, studded with gems

• महारत्नाङ्गुलीयाङ्कित-(महारत्न-आङ्गुलीय-अङ्कित) – precious jewel அரிய ரத்தினம், finger ring, மோதிரம், studded/marked பொருந்திய

• श्रीमद्- wealthy, வளமிகு

• बाहु- forearm – முன்கை

• चतुष्क- set of 4

• सङ्गत— integrated/united –

• गदा- mace – தண்டாயதம்

• शङ्खारि- (शङ्ख-अरि) – conch, discuss – சங்கு, சக்கரம்

• पङ्केरुहां – lotus – தாமரை

• श्रीमद्बाहु-चतुष्कसङ्गत-गदा-शङ्ख-अरि-पङ्केरुहाम् = adorning the sacred four arms, holding the mace, the conch, the discus and the lotus

• काञ्चन- golden – பொன் – தங்கம்

• काञ्चि- girdle – மேகலை

• लाञ्च्छित- decorated – அலங்கரி, ஒப்பனை

• लसत्- glitter/shining – ஒளிமிகு

• पीताम्बरालम्बिनीं – (पीताम्बर-आलम्बिनीम्) – yellow clothes, wearing – மஞ்சள் நிற ஆடை அணி

• काञ्चन-काञ्चि-लाञ्च्छित-लसत्-पीताम्बर-आलम्बिनीम्- = wearing a yellow resplendent silk cloth, fastened by a golden waist band

• विमलाम्बुज- (विमल-अम्बुज) pure lotus, தூய தாமரை

• द्युति- lustrous, splendour, ஒளிமிகு,

• पदाम् – feet – பாதங்கள்

• आर्तिच्छिदं – आर्ति. छिदम् – grief, cut, which removes the woes (of devotees) – அல்லல், அறு

• काञ्चित् – indescribable – வரையறுக்க இயலா

• तव – Your – உன்

• मूर्तिम् – Form – வடிவம்

• (अहम्) – I – யான்

• आलम्बे – take refuge – சரண் அடைந்தேன்

Narayaneeyam – Dasakam 2 – Sloka 1 – எழில் வடிவமும் இறை அன்பும்

Preamble

Non-duality that is the central core of Advaita philosophy identifies the Supreme Self (that transcends everything) with the innermost Self (that is immanent in every being). If God or the Supreme Reality does not have a separate status other than our Selves, then who is to worship whom? Hence the concept of Bhakti, or Devotion, seems to contradict the Oneness inherent in Advaita. This apparent conflict is easily resolved by Sriman Narayaneeyam. Bhattattiri’s conception of Bhakti emphasizes the nirguNa aspect of the Ultimate in no uncertain terms, even while he expatiates on the worship of the visible form.

That the Ultimate is non-dual there is no question. But to be able to realise it as a fact of experience one has to go through the processes of Bhakti of God with form and content, with name and description, with qualities and adjuncts. Such a God is known by the technical name of saguNa brahman, in contrast to the nirguNa brahman which is the formless and nameless Absolute.

Bhattathri clearly brings out through his spiritual experience that The Absolute Being is not manifest to the senses or the intellect and is difficult to grasp or attain to. But when it is manifest as Guruvayur Krishna it is like the wavy surface of the Ocean of Blissful spirit, definite, clear and easy to grasp. Therefore one resorts to the worship of the Krishna form that is lovable and most captivating by its sweet beauty and other blessed attributes. Slokas in Dasakam 2 depict that beauty. Let us study them.

Audio Link

https://www.dropbox.com/s/wwseyrmva9uujk9/Verse%202.1.mp3?dl=0

Sanskrit Verse

सूर्यस्पर्धिकिरीटमूर्ध्वतिलकप्रोद्भासिफालान्तरं

कारुण्याकुलनेत्रमार्द्रहसितोल्लासं सुनासापुटम्

गण्डोद्यन्मकराभकुण्डलयुगं कण्ठोज्ज्वलत्कौस्तुभं

त्वद्रूपं वनमाल्यहारपटलश्रीवत्सदीप्रं भजे ॥२.१॥

सूर्य-स्पर्धि-किरीटम् ऊर्ध्वतिलक-प्रोद्भासि-फालान्तरम्

कारुण्य-आकुलनेत्रम् आर्द्र-हसित-उल्लासम् सुनासापुटम्

गण्डोद्यन्-मकर-आभ-कुण्डल-युगम् कण्ठोज्ज्वलत्-कौस्तुभम्

त्वत्-रूपम् वनमाल्य-हार-पटल-श्रीवत्सदीप्रम् भजे

Transliteration in English

suuryaspardhikiriiTamuurdhvatilaka prOdbhaasiphaalaantaraM

kaaruNyaakulanetramaardra hasitOllaasaM sunaasaapuTam |

gaNDOdyanmakaraabha kuNDalayugaM kaNThOjvalatkaustubhaM

tvadruupaM vanamaalyahaarapaTala shriivatsadiipraM bhaje ||1

Transliteration in Tamil

ஸூர்யஸ்பர்தி₄கிரீடமூர்த்₄வதிலகப்ரோத்₃பா₄ஸிபா₂லாந்தரம்

காருண்யாகுலநேத்ரமார்த்₃ரஹஸிதோல்லாஸம் ஸுநாஸாபுடம்|

க₃ண்டோ₃த்₃யந்மகராப₄குண்ட₃லயுக₃ம் கண்டோ₂ஜ்வலத்கௌஸ்துப₄ம்

த்வத்₃ரூபம் வநமால்யஹாரபடலஶ்ரீவத்ஸதீ₃ப்ரம் ப₄ஜே|| 1||

Meaning in Tamil

பரிதி இணை ஒளிர்மிகு மணிமகுடம்

நுதலதனில் ஒளிகூட்டும் சந்தன நேர் திலகம்

கருணை பொழி இருவிழியுடன் எழில்வடிவு நாசி

இருசெவியணி மகரகுண்டல எதிரொளிக்கும் கண்ணம்

கௌஸ்துப மாலை அணி நீள் கண்டம்

துளசி மாலைதரி ஒளிமிகு ஶ்ரீவத்ஸம் பதி மார்பகம்

புன்முறுவல் பூத்த திருமுகமுடை உன் இவ் வடிவம்

போற்றிப் பணிந்திடுவேனே யான் அனுதினம் 2.1

Meaning in English

I meditate upon this form of You, adorned with a crown which rivals the sun in its brilliance, whose forehead is made more resplendent by the upright mark (tilak of sandal paste), whose eyes are brimming with mercy, with a shapely nose, with shining cheeks reflecting the brilliance of a pair of fish shaped ear pendants, with the Kaustubh jewel shining on the neck, and bosom resplendent with garlands of flowers (and tulsi) necklaces ( of pearls and gems) and the mark of Srivatsa.

Meaning of the Sanskrit Words

• सूर्य-स्पर्धि-किरीटम्- with a crown which rivals the Sun (in brilliance)

• ऊर्ध्वतिलक-प्रोद्भासि-फालान्तरम् by the upright mark (tilak of sandal paste) whose forehead is made more resplendent,

• कारुण्य-आकुलनेत्रम्- whose eyes are brimming with mercy

• आर्द्र-हसित-उल्लासम् (whose face) is lit up with a benevolent smile புன்முறுவல் பூத்த திருமுகம்

• सुनासापुटम् with a shapely nose

• गण्डोद्यन्-मकर-आभ-कुण्डल-युगम् with cheeks shining due to the brilliance of a pair of fish shaped ear pendants –

• कण्ठोज्ज्वलत्-कौस्तुभम् with the Kaustubh jewel shining on the neck

• त्वत्-रूपम् Thy form

• वनमाल्य-हार-पटल-श्रीवत्सदीप्रम् (and Thy bosom) resplendent with garlands of flowers (and tulsi) necklaces ( of pearls and gems) and the mark of Srivatsa

• भजे I meditate upon

Narayaneeyam – Dasakam 2 – Introduction

Pencil Sketch at the site – Belur Halebidu by my daughter some 25 years ago

The greatness of The Supreme Reality – The Brahma Tatwa, which is dense concentrated Bliss, which is of the nature of the Pure Consciousness, which is without parallel or comparison, and is totally free of time and space limitations, and is always free of Maya is brought out in Daskam 1. That Brahma Tatwa which is not easy to grasp in the beginning, but the realisation of which, is the highest purusharth (i.e. liberation), that very Reality shines right in front in concrete form in the Guruvaayur temple as Lord Krishna.

Through this first Daskam, the transcendent and immanent (Nirguna and Saguna) nature of the Brahman is brought out. Here is a recap of Dasakam 1.

The reality of the Brahman is not a question to be solved by dialectic which the vast majority of the human race will be unable to understand. Dialectic in itself and without reference to personal experience cannot give us conviction. Only spiritual experiences can provide us with proof.

Narayana Bhattathri has brought out his spiritual experience at the Guruvayur Temple for the benefit of ordinary humans like us. Let us try and understand through the Slokas.

In Dasakam 2, the sweetness of the form and the devotion to that form have been brought out clearly.

Each blog will cover the Sloka, transliterations in English and Tamil, the meaning of the Sanskrit words and the meaning of the Sloka in English and Tamil.

The first Sloka of Dasakam 2 will be on next Friday, 24th September.

An important message here: Except for the translation in Tamil which is an expression of my limited and little understanding of the Sloka, everything else is what is available in the public domain.