The Dance of the Yuga – Part 1 – Narayaneeyam – Dasakam 55 – Blog 1 – Slokas 1-5

“இயல்” Literary/Prose – Sensing through Bhakti – Narayana Nambhoodhri (Bhattadhri) – Narayaneeyam Dasakam 55

Preamble:

Ever since my visit to Guruvayur, I have been planning to study Narayaneeyam. The sheer daunting task of studying over 1000 Slokas put me off perhaps.

The only Slokas which I heard (without knowing that it is from Narayaneeyam) was the ones that KJ Yesudas used to sing “Yogeendraanaam…..aayur aarogya sowkyam” and the religious discourse by the legendary Sengalipuram Anantharama Dikshithar on GuruvAyurappan

They say that for every thing to happen the way it happens, one needs a specific time and God’s grace. Perhaps I got that when I decided to do a blog on Lord Krishna’s Kalinga Narthanam.

So, here I am plunging into the nectar of Bhakti and looking at how the little Krishna danced on the hoods of the serpent Kalinga.

I am obliged to the web page http://narayaneeyam-firststep.org

In Narayaneeyam Dasakam 55, Bhattadhri brings out the details of Kalinga Narthanam through 10 Slokas/verses. I will present each Sloka, its English Transliteration, its English and Tamil Meaning. For those who are interested in the meaning of the individual Sanskrit Words, I will provide a link to my Drop Box at the end of each blog where it will be stored and available. This is primarily to save space and memory. I will also consolidate the Tamil Meaning for the 10 slokas and provide as a separate blog at the end.

Link to the audio

https://www.dropbox.com/s/h6emn8fe9i36qax/kalinga%20narthanam%20-%20Narayaneeyam.mp3?dl=0

Sanskrit Sloka 1

अथ वारिणि घोरतरं फणिनं

प्रतिवारयितुं कृतधीर्भगवन्।

द्रुतमारिथ तीरगनीपतरुं

विषमारुतशोषितपर्णचयम् ॥१॥

English Transliteration

atha vaariNi ghOrataraM phaNinaM 

prativaarayituM kR^itadhiirbhagavan |

drutamaaritha tiiraga niipataruM 

viShamaarutashOShita parNachayam ||1

Meaning in English

Oh Lord ! Determined to drive away that deadly serpent from the river, Thou, quickly,climbed on to the Kadamba tree, on the bankof, river with all its leaves dried up, owing tothe poisonous air around it.

Meaning in Tamil

நதிவாழ் நச்சுடை நாகம்தனை வெருட்டிட உறுதியிட்டு

நச்சுக்காற்றினால் நதிக்கரையில் நலிந்து மக்கிய இலையுடை

கதம்ப மரம் ஏறினான் எந்தன் மாயக்கண்ணன்

—————————————————————————

Sanskrit Sloka 2

अधिरुह्य पदाम्बुरुहेण तं

नवपल्लवतुल्यमनोज्ञरुचा

ह्रदवारिणि दूरतरं न्यपत:

परिघूर्णितघोरतरङ्ग्गणे ॥२॥

English Transliteration

adhiruhya padaamburuheNa cha taM na

vapallava tulya manOj~naruchaa |

hradavaariNi duurataraM nyapataH

parighuurNita ghOratarangagaNe || 2

Meaning in English

Placing the feet with a a pleasing radiance and which resembled tender leaves, Krishna climbed the tree trunk and reaching to the top, and with a long leap jumped far out into the deep waters with swirling fierce waves of the river, and went far down below.

Meaning in Tamil

கொழுந்திலைத்தளிரென ஒளிமிகு கமலமலர்ப் பாதமுடன்

காழ் மர உச்சிக்கொம்பேறி எழும்பித் குதித்து

சுழிர்நிறை நதியில் வெகுஆழம் சென்றான் பாலகிருஷ்ணன்

—————————————————————————

Sanskrit Sloka – 3

भुवनत्रयभारभृतो भवतो

गुरुभारविकम्पिविजृम्भिजला

परिमज्जयति स्म धनुश्शतकं

तटिनी झटिति स्फुटघोषवती ॥३॥

English Transliteration

bhuvanatraya bhaara bhR^itO bhavatO

gurubhaaravikampi vijR^imbhijalaa |

parimajjayati sma dhanushshatakaM

taTinii jhaTiti sphuTaghOShavatii || 3

Meaning in English

When, the bearer of the weight of the three worlds, jumped, Thy immense weight caused the waters to swirl and swell. On the river bed an area of a hundred bows (yards) submerged, as a sudden roar arose from the river.

Meaning in Tamil

மூவுலகுச்சுமைதாங்கும் முகுந்தன் முக்குளித்ததும்

முழுநீரும் சுழன்று பொங்கி ஆர்பரிக்கும் ஓசையுடனே

மூழ்கடித்தே நதிக்கரையை நூறுவில் அம்புசெல் தூரம்

—————————————————————————

Sanskrit Sloka 4

अथ दिक्षुविदिक्षु परिक्षुभित

भ्रमितोदरवारिनिनादभरै:

उदकादुदगादुरगाधिपति

स्त्वदुपान्तमशान्तरुषाऽन्धमना: ॥४॥

English Transliteration

atha dikshuvidikshu parikshubhita 

bhramitOdara vaari ninaadabharaiH |

udakaadudagaaduragaadhipati-

stvadupaantamashaantaruShaa(a)ndhamanaaH || 4

Meaning in English

The deep whirling swells, generated in the agitated waters, in all directions, due to Thyplunging into it, and the deafening uproar, which accompanied it, enraged the Kaaliya, and he emerged from the waters, and approached Thee in a fit of blinded anger.

Meaning in Tamil

ஆழ்சுழி நீர் பொங்கி எட்டுத்திக்கும் கரைபுரண்டோட

ஆர்ப்பரிக்கும் ஒசைகேட்டு எழு அரவரசன் காளிங்கன்

அடைந்திட்டான் நிலைகலங்கி சீற்றமுடன் கடுஞ்சினம்

———————————————————————-

Sanskrit Sloka 5

फणशृङ्गसहस्रविनिस्सृमर

ज्वलदग्निकणोग्रविषाम्बुधरम्

पुरत: फणिनं समलोकयथा

बहुशृङ्गिणमञ्जनशैलमिव ॥५॥

English Transliteration

phaNashR^ingasahasravinissR^imara

jvaladagnikaNOgraviShaambudharam |

purataH phaNinaM samalOkayathaa

bahushR^ingiNamanjana shailamiva || 5

Meaning in English

Thou saw the serpent in front with his thousands of peak like hoods emmitting burning fire flakes and fierce poison fluid, looking like a many peaked black mountain in front of Thee.

Meaning in Tamil

முகடுபல நிறை கருமலைத் தொடரென பன்னாயிரம் படம்எடுத்து

திரள்வந்திழியுஞ்சாரலென அனல்மிகு தீப்பிழம்புடன் விடநீரும்

கக்கும் சினமிகு காளிங்கனை முன்நின்று கண்டான் மாயவன்

Meaning of the Sanskrit Words

The meaning of the words are available at

https://www.dropbox.com/s/bspkup04arb9arj/%20Narayaneeyam%20Sadakam%2055%20-%20verses%201%20to%205.docx?dl=0

Sri Ramachandra Kripalu Bhaja – Tulsidas

On this auspicious day of Bhoomi Puja for the Ram Mandir at the birth place of Lord Sri Ram (05th August 2020), here is my humble offering – a translation of the epic bhajan by Goswami Tulsidas “Sri Ramachandra Kripalu Bhaja mana” in my mother tongue Tamil.

Audio Link

Pl listen to TM Krishna immersing himself in Yamuna Kalyani (Yaman Kalyan) praising Sri Ramachandra

https://www.dropbox.com/s/m9y1lkvcj255exn/Tulsidas%20-%20Ramchandra%20-%20TM%20Krishna_%20Raga%20Yamuna%20Kalyani-T4cEp03lJcM.mp3?dl=0

Video Link

The gifted child artist Soorya Gayathri – https://youtu.be/MyNSOu-Fl-k

Meaning in English

“O Mind ! Pray to compassionate Ramachandra who destroys the great fears of life. With eyes like a new lotus, with a face like a lotus and feet like a crimson lotus.

With boundless splendour like innumerable cupids, he is as beautiful as a new blue cloud . I bow to that groom of Janaka’s daughter, who is like a lustrous white lightning in his yellow garments.

I bow to the Sun-like friend of the wretched, destroyer of the demons dynasties. Son of the Raghu dynasty, root of joy, gladdens the Kosalas, son of Dasharatha.

Beautiful with a crown on his head, earrings, and mark on his forehead and limbs generously decorated. With long hands to his knees, holding a bow and arrow, winner of the battle with khara and dhUshaNa.

Thus says Tulsidas “He who pleases the minds of Shankara and Adisesha, who has contempt for the wicked things like desire, please dwell in the lotus of my heart”

Meaning in Tamil

கருணைமிகு ராமச்சந்திரனை போற்றிடு மனமே

கடுமை கொள் பிறவிச்சுழல் பயம் அகற்றிடுவனே

புதுமலர்கமல நயன வதன கர செங்கமல பாதமுடை….கருணைமிகு

எண்ணளவிலா எழில்புது நீலமேக வடிவம் தூய வெண்

மின்னலென மஞ்சள் பட்டுடையணியில் உன் தோற்றம்

மன்னன் ஜனகனின் மகளைக் கரம் பிடித்த சுயம்வரனைக்….கருணைமிகு

எளியோரின் ஆதவனொப்ப தோழன்

திதி தானவ அசுர குல அழித்தோன்

ரகுகுல நந்தன் ஆனந்தமதின் மூலன்

கோசலை குலம் மகிழும் தசரத புத்திரன்….கருணைமிகு

பொன் மகுடமணி சிரம், செவிதனில் நிழல் இடு குண்டலம்,

முன் நெற்றிதனில் திலகம், அணிகலன்பூண் அங்கம், தாழ் கரம்

நாண் ஏற்று வில் அம்பு ஏந்தும், கரபூஷண அசுரகுலம் வெல்லும்….

கருணைமிகு

அடிமுடி காணோன் ஆதிசேஷன் மன மகிழ்விக்கும்

அழுக்காறு அவா இன்னாச்சொல் வெகுளி வெறுக்கும்

அலர் ஆம்பலாம் என் உள்ளக் கோவிலில் உறைவாய் என

அருள்மிகு ராமனிடம் அரும்பெரு துளசிதாசன் உரைத்தனன்…கருணைமிகு

Sanskrit Verses

श्री रामचन्द्र कृपालु भजुमन हरण भवभय दारुणं ।

नव कञ्ज लोचन कञ्ज मुख कर कञ्ज पद कञ्जारुणं ॥१॥

कन्दर्प अगणित अमित छवि नव नील नीरद सुन्दरं ।

पटपीत मानहुँ तडित रुचि शुचि नौमि जनक सुतावरं ॥२॥

भजु दीनबन्धु दिनेश दानव दैत्य वंश निकन्दनं ।

रघुनन्द आनन्द कन्द कोसल चन्द दशरथ नन्दनं ॥३॥

सिर मुकुट कुंडल तिलक चारु उदार अङ्ग विभूषणं ।

आजानु भुज शर चाप धर संग्राम जित खरदूषणं ॥४॥

इति वदति तुलसीदास शंकर शेष मुनि मन रंजनं ।

मम हृदय कंज निवास कुरु कामादि खलदल गंजनं ॥५॥

English Transliteration

Śrīrāmacandra kr̥pālu bhajamana haraṇabhavabhayadāruṇaṁ.

Navakañjalocana kañjamukha karakañja padakañjāruṇaṁ. ।।1।।

Kandarpa agaṇita amita chavi navanīlanīradasundaraṁ.

Paṭapītamānahu taḍita ruciśuci naumijanakasutāvaraṁ. ।।2।।

Bhajadīnabandhu dinēśa dānavadaityavaṁśanikandanaṁ.

Raghunanda ānandakanda kośalachandra daśarathanandanaṁ. ।।3।।

Śiramukuṭakuṇḍala tilakacāru udāru’aṅgavibhūṣaṇaṁ.

Ājānubhuja śaracāpadhara saṅgrāmajitakharadūṣaṇaṁ. ।।4।।

Iti vadati tulasīdāsa śaṅkaraśeṣamunimanarañjanaṁ.

Mamahr̥dayakañjanivāsakuru kāmādikhaladalagañajanaṁ. ।।5।।

Meaning of the Sanskrit Words

श्री रामचन्द्र – Sri Ramachandra

कृपालु – kind/compassion

भजुमन – pray, oh mind

हरण – take away/remove

भवभय – fear of life

दारुणं ।- severity/harshness

नव – new/fresh

कञ्ज – lotus

लोचन – eyes

कञ्ज – lotus

मुख – face

कर – hands

कञ्ज – lotus

पद – feet

कञ्जारुणं – कञ्ज अरुण – lotus, reddish brown/crimson

कन्दर्प – cupid

अगणित – अ गणित – countless

अमित – immeasurable

छवि – beauty

नव – new

नील – dark blue

नीरद – cloud

सुन्दरं – beautiful

पटपीत – पट पीत – garment, yellow

मानहुँतडित – मानहु तडित – is like, lightning

रुचि – beauty/desire/taste

शुचि – pure/clean/white/bright

नौमि – bow/pay obeisance

जनक – King Janaka

सुतावरं – सुता वर – daughter, groom/husband

भजु – bow / salutations

दीनबन्धु – poor, friend

दिनेश – sun

दानव – demon

दैत्य – belonging tomdemon

वंश – clan/dynasty

निकन्दनं ।- destroy

रघुनन्द – son, raghu dynasty

आनन्द – delight / joy

कन्द – root

कोसल – koshalas (maternal root)

चन्द – gladden

दशरथ – Dasaratha son

नन्दनं ॥३॥

सिर – head

मुकुट – crown

कुंडल – ear rings

तिलक – mark on the forehead

चारु – handsome

उदार – generous

अङ्ग – limbs

विभूषणं ।- adorned

आजानु – long

भुज – hands

शर – arrow

चाप – bow

धर – hold

संग्राम – battle

जित – victor

खरदूषणं ॥४॥two demons khara and dhushana

इति – thus

वदति – said

तुलसीदास – துளசிதாஸ்

शंकर – Lord Siva

शेष मुनि – Adi Sesha

मन – mind

रंजनं – pleasing

मम – my

हृदय – heart

कंज – lotus

निवास कुरु – dwell/ reside

कामादि – desire etc

खलदल –

गंजनं ॥५॥- contempt

Carnatic Musing 10 – The Dance of the Yuga – Part 1 – Adidano Ranga

“இயல்” Literary/Prose – Sensing through Bhakti – – Purandara Dasa

Link to the Audio

https://www.dropbox.com/s/k22zjvm5rdosf0v/R.K.Srikantan_Adidhano%20Ranga%20-%20Aarabhi.mpg-LeqoPYe1iDU.mp3?dl=0

Verses in Kannada

In understanding the verses and the meaning of the words as envisaged by the composer, I would like to thank Shri. K.Naresh Babu for his help.

ಆಡಿದನೋ ರಂಗ ಅದ್ಭುತದಿಂದಲಿ ಕಾಳಿಂಗನ ಫಣೆಯಲಿ [ಪ]

ಪಾಡಿದವರಿಗೆ ಬೇಡಿದ ವರಗಳ ನೀಡುತಲಿ ದಯ ಮಾಡುತಲಿ

ನಲಿದಾಡುತಲಿ ಬೆಣ್ಣೆ ಬೇಡುತಲಿ ಕೃಷ್ಣ [ಅ ಪ]

ಅಂಬುರುಹೋದ್ಭವ ಅಖಿಳ ಸುರರು ಕೂಡಿ

ಅಂಬರದಲಿ ನಿಂತು ಅವರ ಸ್ತುತಿಸೆ

ರಂಭೆ ಊರ್ವಶಿ ರಮಣಿಯರೆಲ್ಲರು ಚಂದದಿಂ ಭರತನಾಟ್ಯವ ನಟಿಸೆ

ಝಂತಟ ತಕಧಿಮಿ ತಧಿಗಿಣಿ ತೋಂ ಎಂದು

ಝಂಪೆ ತಾಳದಿ ತುಂಬುರುನೊಪ್ಪಿಸೆ

ಧಾ ಮ ಪ ಧ ಸ ರೀ ಎಂದು ಧ್ವನಿಯಿಂದ ನಾರದ

ತುಂಬುರು ಗಾನವ ಮಾಡಲು ನಂದಿಯು ಮದ್ದಲೆ ಚೆಂದದಿ ಹಾಕಲು[1]

ಫಣವ ಮೆಟ್ಟಿ ಬಾಲವ ಕೈಯಲಿ ಪಿಡಿದು ಫಳಫಳಿಸುತ್ತ ನಾಟ್ಯವನಾಡೆ

ಚಂದ್ರಮಂಡಲದಂತೆ ಪೊಳೆಯುವ

ಮುಖದೊಳು ಚಲಿಸುವ ನೀಲಕೇಶಗಳಾಡೆ

ಕಾಲಲಂದುಗೆ ಗೆಜ್ಜೆ ಘಲು ಘಲು ಘಲುರೆನುತ ಉಡಿಗೆಜ್ಜೆ ಘಂಟೆಗಳಾಡೆ

ದುಷ್ಟ ಕಾಳಿಂಗನ ಮೆಟ್ಟಿ ಭರದಿಂದ ಪುಟ್ಟ ಪಾದವ ಇಟ್ಟು ಶ್ರೀ ಕೃಷ್ಣನು

ಮೆಟ್ಟಿದನು ತಕ ಧಿಮಿ ತಧಿಕೆನುತ[2]

ಸುರರು ಪುಷ್ಪದ ವೃಷ್ಟಿಯ ಕರೆಯಲು ಸುದತಿಯರೆಲ್ಲರು ಪಾಡಲು

ನಾಗಕನ್ನಿಕೆಯರು ನಾಥನ ಬೇಡಲು ನಾನಾ ವಿಧದಿ ಸ್ತುತಿ ಮಾಡಲು

ರಕ್ಕಸರೆಲ್ಲರು ಕಕ್ಕಸವನೆ ಕಂಡು ದಿಕ್ಕು ದಿಕ್ಕುಗಳಿಗೆ ಓಡಲು

ಚಿಕ್ಕವನಿವನಲ್ಲ ಪುರಂದರ ವಿಠ್ಠಲ ವೆಂಕಟರಮಣ ಬೇಗ ಯಶೋದೆ

ಬಿಂಕದೊಳೆತ್ತಿ ಮುದ್ದಾಡೆ ಶ್ರೀ ಕೃಷ್ಣನ[3]

English Transliteration

Aadidano ranga adbhutadindali kALingana phaNeyali

pADidavarige bEDida varagaLa neeDutali daya mADutali

nalidADutali beNNe bEDutali krishna

amburuhodbhava akhila suraru kooDi

ambaradali nintu avara stutise

rambe Urvashi ramaNiyarellaru

chendadim bharata nATyava naTise

jhamtaTa takadhimi tadhigiNi tom endu

jhampe tALadi tumburanoppise

ga ma pa da sa ri endu dvaniyinda

nArada tumbura gAnava mADalu

nandiyu maddaLe chendadi hAkalu[1]

phaNava meTTi bAlava kaiyali piDidu phaLa phaLisutta

nATyavanADe chandra maNDaladante poLeyuva

mukhadoLu chalisuva neela kEshagaLADe kAlalanduge

gejje ghalu ghalu ghalurenuta uDi gejje ghaNTegaLADe

dushTa kALingana meTTi bharadinda puTTa pAdava iTTu

shrI krishNanu meTTidanu taka dhimi tadhikenuta[2]

suraru pushpada vrushTiya kareyalu sudatiyarellaru

pADalu nAga kannikeyaru nAthana bEDalu

nAnA vidhadi stuti mADalu rakkasarellaru

kakkasavane kaNDu dikku dikkugaLige Odal

chikkavanivanalla purandara viTTala vEnkaTaramaNa

bEga yashOde binkadoLetti muddADe shrI krishNana[3]

Meaning in Tamil

ஆடினானே காளிங்கமகுடம் மேல் அற்புத நடனம் ரங்கன்

பாடியவருக்கு வேண்டிய வரமளி கருணை புரி

மகிழ் நடனமாடும் வெண்ணெய் திருடும் கண்ணன்ஆடினானே

ஆம்பல்முளை அயனும் விண்ணவரும் கூடி விண்ணிலிருந்து

அவன்துதி பாட, ரம்பை ஊர்வசி அழகிகள் பலர்

ஜம் தட தகதிமி ததிங்கனதோம் என பரதம் ஆட,

ஜம்ப தாளமுடன் ரி என இசைகூட்ட, தும்புரு

நாரதன் கீதம் பாட, நந்தி மத்தளம் ஒலிக்கஆடினானே

நாக மகுடமேறி பாலன் ஊக்கமுடன் கைப் பிடித்து,

நடன இடம் நிலவொளி பொழிலென ஒளிக்க,

முகத்தில் அசையும் நீலமுடிசுருள்குழலுடன்

காற்சிலம்பு கணீர் கணீர் என ஒலி எழுப்ப,

மூட காளிங்கன் மேல் பளுவுடன் சிறு பாதங்களிட்டு

தக திமி ததிங்கிட என ……ஆடினானே

வின்னவர் பூமழை பொழிய எழிலயிறுடை பெண்டிர் பாட,

நாக கன்னியர் நாதனை வேண்டி நவவகை துதி பாட,

அரக்கர் குழாம் உமிழ்கழிவு கண்டென திக்கெட்டும் சிதறி ஓட,

ஆடியவன் சிறியவனல்ல புரந்தர விட்டல வேங்கட ரமணணே

ஓடிவந்து பெருமிதம் கோண்டு எடுத்தனைத்திடுவாய் யசோதா

The Dance of the Yuga* – A three dimensional view

(* Yuga – a Sanskrit term used to define a very large period of time spanning 1000s of years)

In the “Dvapara Yuga”, some say in 3228 BC an event happened on the banks of the River Yamuna in Mathura, a place near Delhi. This is about the dance of a little boy called Krishna. This is a dance with a difference – an young boy dances on top of a five headed King Cobra. The dance is called Kaliya Mardhan /Kaliya Daman in North of India and Kalinga Narthanam in South of India.

A Yuga later (in Kali Yuga) around the end of the 14th century and beginning of 15th century some one near Theerthahalli village in Shimoga Taluk in Karnataka broadly outlined the event through a composition in his native language Kannada.

In the middle of the subsequent century, another gentleman from Malayalam village Melpathur near Kurumbathoor in Mallapuram District of Kerala wrote a divine epic in Sanskrit language in a temple where it is is believed that the event was reproduced by the same boy who performed this act 5000 years ago. In that epic he wrote ten verses describing the entire event.

Two centuries later between 1700-1765, yet another one from a village in Oothukadu in Tanjore District of Tamil Nadu known for his compositions in Tamil, wrote in Sanskrit the way in which the boy danced.

In this current period we move to Chennai where we will witness one of the finest depiction of that dance (as envisaged by the man from Kurumbathoor in the fifteenth century) by a phenomenally talented and globally acclaimed lady.

The event is so imbibed in India’s culture that not a single year passes/will pass without someone somewhere in India celebrating that event through available medium of expression.

Now I will try to understand that immortal event through a series of blogs bringing out the three facets (3 dimensional) of the Indian Arts.

Only Three facets for Indian Arts ! I am not kidding. Well, I am just summarizing them into three categories like the Tamils of the Sangam era (300 BC – 200AD) viz, Iyal, Isai, Natakam (Prose/Literary, Music, Dance respectively).

The Literary description [ “Iyal – இயல் “] of the event

The gentleman from Theerthahalli is none other than Saint Purandara Dasa, the Grand Father(Pitamah) of Carnatic Music. he brings out in eloquent (yet even the ignorant can understand), the essence of the event in Kannada Language.

The gentleman from Kurumbathoor Village in his epic work called Narayaneeyam, devotes a set of ten verses (Slokas) to describe the event. Sri. Narayana Namboodhri called as Bhattathri brought Krishna from Mathura to every single home in south of India through his Naryaneeyam written in Sanskrit.

The works of these two great Saints drive devotion (Bhakti) through their works in a meta physical plane. It sets you thinking and appeals to the heart and soul of human beings through brain. I will try to understand these two works.

The Musical Description [ “Isai – இசை” ] of the event

Music in any language appeals to the heart and soul through the ears. This aural route requires that the lyricist/composer understands the nuances and brings out an integrated version of his thought processes about an event. An event like the dance of an young boy needs to be depicted taking into these factors.

The gentleman from Oothukadu who specialized in compositions in Tamil brought out a superb composition in Sanskrit about Krishna’s dance; ideally composed for the seamless integration of music with the dance movements. I will try and study the composition of Oothukadu Venkata Kavi.

The Dance [ “Natakam – நாடகம்” ] portrayal of the event

In this section we will watch three dance events. Dr. Padma Subramanyam is a living legend in the South Indian Form of Dance called Bharath Natyam. We will link with her depiction of the event as described by Bhattathri in Narayaneeyam.

Team led by Bhairavi Venkatesan of Sridevi Nrithalaya presents the dance as composed by Oothukadu Venkata Kavi.

The third dance by Janaki & Kalyani in Bharath Natyam style is for the composition by Purandara Dasa. This dance was performed at Guruvayur where Narayaneeyam was written.

These three dances are available in the social media. We will link up with them.These are just representative samples. Just type “Dances of India – Kaliya Daman”. You can view the dance in perhaps every single Indian Languages and in every type/style of Indian Dances like, Kathak, Manipuri, Kuchipudi etc.

Join me in my “3d” study of the Divine Dance.

Carnatic Musing 9 – Sri Vara Lakshmi – Sri Ragam – Muthuswamy Dikshitar – Varalakshmi Vratam Special

Audio Link

Pl. listen to the divine voice of MS Subbulakshmi in the following link : https://www.dropbox.com/s/x87kv796u8w2b62/Shri%20Varalakshmi-M%20S%20Amma-q1FmCYxR-xw.mp3?dl=0

and as a tribute to MS Amma by Bombay Jayashri here: https://www.dropbox.com/s/ojxcucefwuyucik/Sri%20Varalakshmi%20_%20Bombay%20Jayashri%20%28Album_%20Tribute%20to%20M%20S%20Subbulakshmi%20%29-pxS3uCJns5E.mp3?dl=0

Meaning in English

Salutations to Goddess Varalakshmi, the provider of wealth, the one seated on the lotus flower, who is the abode of charm. I will bow to your beautiful feet repeatedly on every step and occasion.

You are the lady love of Sri Vishnu, the father of Manmadha. You as the one with golden splendour is more radiant and glittering than a crore of the Sun. You are easily accessible to your devotees; you protect people who pray to you. Oh, the one adorned with lotus garland, you are the epitome of absoluteness; you reside in the heart of Lord Vishnu.

On the fifth month of the year, the Friday before the full moon, many women led by Charumathi prays you. Devas and Guruguha offer gems studded garland/ornaments to you. You are an expert in saving the devoted downtrodden by showering them with gold. You are skilled in removing illusion from us and you are praised by Goddess Saraswathi. You provide the way for salvation and your hands provide the boon that is desired by the devotees.

Meaning in Tamil

பல்லவி

தனம்தரும் திருமகளே அலர்மேல் மங்கையே

வனப்புமிகு வண்ணத்து உறைவிடமேஉனது

எழில்மிகு பாதம்தனை இடைவிடாது பணிவேனே

அனுபல்லவி

மன்மத ஜனகன் மாயவனின் உயிரினும் உயிரான பொன்மகளே

பக்தர்கள் எளிதெனவே அணுகும் கோடி சூரிய ஒளி அலைமகளே

அடியார்தமை ஆதரவுடன் காக்கும் ஆம்பல் மாலை அணி அலர்மகளே

நிறை பேரறிவுத் தன்மைமிகு ஶ்ரீதேவியே, ஶ்ரீதரனின் திருமார்புறை ….

தனம்தரும்

சரணம்

ஆவணி முழுநிலவுமுன் கிழமை வெள்ளியில் விரதமிருந்து

ஆம்பல்உறை உனை துதிப்பர் சாருமதியும் பெண்டிரும் !

பொன்மணி மாலை சாற்றி போற்றிடுவர் தேவரும் குருகுகனும்

பொன்மாரி பொழிந்து காத்து அடியார்க்கு அருள் புரியும்

மாயை அகற்றும் வித்தகி, நாவுக்கரசி பாமகள் போற்றும்

முக்திக்கு வித்திடும், வேண்டிய வரம்தனைக் கரம் தரும்தனம்தரும்

Sanskrit Verses

पल्लवि

श्री वर लक्ष्मि नमस्तुभ्यं वसु प्रदे

श्री सारस पदे रस पदे सपदे पदे पदे

अनुपल्लवि

भावज जनक प्राण वल्लभे सुवर्णाभे

भानु कोटि समान प्रभे भक्त सुलभे

(मध्यम काल साहित्यम्)

सेवक जन पालिन्यै श्रित पङ्कज मालिन्यै

केवल गुणशालिन्यै केशव हृत्खेलिन्यै

चरणम्

श्रावण पौर्णमी पूर्वस्थ शुक्रवारे

चारुमती प्रभृतिभिः पूजिताकारे

देवादि गुरु गुह समर्पित मणिमय हारे

दीन जन संरक्षण निपुण कनक धारे

(मध्यम काल साहित्यम्)

भावना भेद चतुरे भारती सन्नुत वरे

कैवल्य वितरण परे काङ्क्षित फल प्रद करे

English Transliteration

pallavi

SrI vara lakshmi namastubhyaM vasu pradE

SrI sArasa padE rasa padE sapadE padE padE

anupallavi

bhAvaja janaka prANa vallabhE suvarNAbhE

bhAnu kOTi samAna prabhE bhakta sulabhE

(madhyama kAla sAhityam)

sEvaka jana pAlinyai Srita pankaja mAlinyai

kEvala guNaSAlinyai kESava hRtkhElinyai

caraNam

SrAvaNa paurNamI pUrvastha SukravArE –

cArumatI prabhRtibhiH pUjitAkArE

dEvAdi guru guha samarpita maNi-maya hArE

dIna jana saMrakshaNa nipuNa kanaka dhArE

(madhyama kAla sAhityam)

bhAvanA bhEda caturE bhAratI sannuta varE

kaivalya vitaraNa parE kAGkshita phala prada karE

Meaning of the Sanskrit Words

पल्लवि

श्री वर लक्ष्मि – Sri Varalakshmi

नमः-तुभ्यं – salutations, to you

वसु प्रदे – wealth,giver

श्री सारस पदे – lotus, resides

रस पदे – charm/pleasure,abode

सपदे – स पदॆ, – good/beautiful feet

पदे पदे – पदॆपदॆ – repeatedly, again and again

अनुपल्लवि

भावज – god of love

जनक – father

प्राण – dear as lifev

वल्लभे – lady love

सुवर्ण-आभे – golden, splendor

भानु – sun

कोटि – one crore

समान – equivalent

प्रभे – illumination

भक्त – devotee

सुलभे – easily reachable

सेवक – those who pray

जन – people

पालिन्यै – protector

श्रित – attached to

पङ्कज – lotus

मालिन्यै – garland

केवल – bare/ (absoluteness)

गुण-शालिन्यै – nature/trait, possess

केशव – vishnu

हृत्-खेलिन्यै – heart, sports/reside

चरणम्

श्रावण – fifth month of the year – normally august

पौर्णमी – full moon

पूर्वस्थ – शुक्र-वारे – most excellent, Friday

चारुमती – Charumathi /lovely lady

प्रभृतिभिः – beginning with

पूजिताकारे – prayed,

देव-आदि – devas and others

गुरु गुह – guru guha

समर्पित – offered

मणि-मय हारे – gems studded garland

दीन जन – down trodden

संरक्षण – save/protect

निपुण – expert

कनक धारे – gold, shower

भावना भेद चतुरे – illusion/imaginary, crack (भेदयति), clever/skillful/adept

भारती – Saraswathi (Voice)

सन्नुत वरे – praised, eminent

कैवल्य – salvation

वितरण परे – bestow, intent

काङ्क्षित – desired/wished

फल प्रद करे- fruit of desire, granting, hands

Note: For those of you who are interested to know the background of Varalakshmi vratham (Puja), here is an interesting story from the Puranas:

The Story behind VARALAKSHMI VRATHAM

The story happens in a beautiful town called Kundinagaram located in the Kingdom of Vidarbha (Vidarba Rajyam). In that Kundinagram town, Goddess Adilakshmi, being pleased by her devotion tells Charumathi in a dream and directed her to perform the vrata to enable Her to fulfil her desires. Charumathi wakes up and tells her husband about the dream. Charumathi along with some neighbourhood women takes bath in the wee hours and prepare a mandapam and invites Varalakshmi Devi. She recites the following sloka along with other women with utmost faith and devotion.

Lakshmi Ksheerasamudra rajatanyam sri rangadhameswareem Dasibootha samastha devavanitham lokaika deepamkuram

Sri manmanda kataksha labdhivibhat brahmendra gangadharam Twamtrayamlokyakutumbhineem sasijavandemukunda priyam

Then she wore nine threads Thoranam to right hand and offers naivadyam to Goddess Lakshmi Devi. On the completion of the first circumstance, she heard she found Gajjelu, Andelu and other ornaments. On the second circumstance, they found kankanams made of navaratnams to their hands. On completion of the third circumstance, they found immense wealth. Then Charumathi offers Tambulam to the brahmin priests and distribute the vrata prasadam to the relatives and lead a happy life. Since then, Hindu women perform this vrata with utmost faith and trust till today. With this, Lord Eswara concludes telling the story to Goddess Parvathi.

Durga Pancharathnam- Verse 5

Audio Link

https://www.dropbox.com/s/7d025kljtj94cka/Durga%20Pancharatnam-RYKQcQQ3Evs.mp3?dl=0

Sanskrit Verse

त्वं ब्रह्मपुच्छा विविधा मयूरी

ब्रह्मप्रतिष्ठास्युपदिष्टगीता

ज्ञानस्वरूपात्मतयाखिलानां

मां पाहि सर्वेश्वरि मोक्षदात्रि ॥ ५॥

English Transliteration

tvaṁ brahma pucchā vividhā mayūrī

brahma pratiṣṭhā asya upadiṣṭa gītā |

jñāna svarūpa ātma taya ākhilānāṁ

māṁ pāhi sarvēśvari mōkṣadātri || 5 ||

Meaning of the Sanskrit Words

त्वं – you

ब्रह्म – supreme spirit

पुच्छा – tail

विविधा – various

मयूरी – Peacock

ब्रह्म – supreme spirit

प्रतिष्ठा- install/standing firmly

अस्य – of this

उपदिष्ठा – instructed/initiated

गीता – Bhagwad Gita

ज्ञान – knowledge

स्वरूप – quality/Nature

आत्म – soul

तय – protect

आखिलानां – entire/whole/universe

मां पाहि सर्वेश्वरि मोक्षदात्रि ॥ ५॥

Meaning in English

Hey Mayuri*, you are praised as the route to Brahmam,

You are the form of Brahamam established by the Bhagwad Gita too,

You are the wisdom personified, enact the sport of creation

And so please protect me, oh goddess of all and oh giver of salvation.

* Durga worshipped Lord Shiva in the form of a peacock. And hence she is addressed as Mayuri

Meaning in Tamil

பரம்பொருளை அறிய பாதை நீதானே பெண்மயிலே

பரம்பொருளே நீயென பகவத்கீதை உரைத்திடுதே

மெய்யறிவின் இயற்சக்தியாய் ஆன்மா பேணி, அகில

அண்டமதின் அன்னையே காத்தருள்வாய் முக்தி

Carnatic Musing – 8 – Lord Ram – Thyagaraja Kriti- Raga Pantuvarali – Part 1

Link to the Audio:

Listen to my favorite singer Maharajapuram Santhanam

https://www.dropbox.com/s/5hb64srd7my5c3q/Maharajapuram%20Santhanam%20-%20%20Sundarathara%20-%20Panthuvarali%20-%20adi-F5pDpB5Ls30.mp3?dl=0

Sanskrit Verses of the Composition

. सुन्दरतर देहं वन्देऽहं रामं

. कुन्द रदनं आप्त कुमुद शशांङ्क

कन्दर्प शत कोटि कान्तिं अति निष्कळंकं (सु)

1. पतित जन पावनं परिपालित भुवनं

श्रुति निकर सदनं शुभ कर वदनं

यति वर जीवनं इभ राज पालनं

दितिज मद दमनं दीन (ना)वनं (सु)

2. नव दूर्व दळ नीलं नन्दि(ता)मर जालं

अवनत सुर पालं अद्भुत लीलं

भव भय हरण कालं भक्त जन वत्सलं

शिवं अद्वैतं अमलं श्रीमत्कन(का) चेलं (सु)

3. आगम सञ्चारं अखिल लो(का)धारं

वा()धिप कुमारं वर वीर वीरं

रा(गा)दि संहारं राघवं उदारं

त्यागराज हृत्सञ्चारं कारुण्य पारावारं (सु)

English Transliteration

pallavi (the thematic one)

sundara-tara dEhaM vand(E)haM rAmaM

anupallavi (the little add to the thematic line)

kunda radanaM Apta 1kumuda SaS(A)nkaM

kandarpa Sata kOTi kAntiM ati nish-kaLankaM (sundara)

caraNam 1 ( stanza 1)

patita jana pAvanaM paripAlita bhuvanaM

2Sruti nikara sadanaM Subha-kara vadanaM

yati vara jIvanaM ibha rAja pAlanaM

ditija mada damanaM dIna jan(A)vanaM (sundara)

caraNam 2 (stanza 2)

nava 3dUrva daLa nIlaM nandit(A)mara jAlaM

4avanata sura pAlaM adbhuta lIlaM

bhava bhaya haraNa kAlaM bhakta jana vatsalaM

SivaM advaitaM amalaM SrImat-kanak(A)bha cElaM (sundara)

caraNam 3 (stanza 3)

Agama sancAraM akhila lOk(A)dhAraM

vAg-adhipa kumAraM vara vIra vIraM

rAg(A)di saMhAraM rAghavaM udAraM

tyAgarAja hRt-sancAraM kAruNya pArAvAraM (sundara)

Continued in Part 2 for meaning of the words, meaning of the composition & translation in Tamil ……. in the blog that follows

Durga Pancharathnam – Verse 4

Audio Link

https://www.dropbox.com/s/7d025kljtj94cka/Durga%20Pancharatnam-RYKQcQQ3Evs.mp3?dl=0

Sanskrit Verse

देवात्मशब्देन शिवात्मभूता

यत्कूर्मवायव्यवचोविवृत्या ।

त्वं पाशविच्छेदकरी प्रसिद्धा

मां पाहि सर्वेश्वरि मोक्षदात्रि ॥ ४॥

English Transliteration

dēvā atma śabdēna śivā atma bhūtā

yat kūrma vāyavya vacō vivr̥tyā

tvaṁ pāśa vicchēdakarī prasiddhā

māṁ pāhi sarvēśvari mōkṣadātri || 4 ||

Meaning of the Sanskrit Words

देव – God

आत्म – Soul

शब्देन – sound

शिव – Lord Siva

आत्म – Soul

भूता – being

यत् – that

कूर्म – one of the outer winds of the body

वायव्य – one of the inner winds – the air passage from heart to centre of the forehead

वचो – speech

विवृत्या – manifest

त्वं – you

पाश – chain

विच्छॆदकरि – विच्छे करि – seek for

प्रसिद्धा – famous/well known

मां पाहि सर्वेश्वरि मोक्षदात्रि ॥ ४॥

Meaning in English

Formed by Self-power of sound of Siva’s aatma, You are declared by sacred texts as the sound of Anahatha**, Which exists in Kurma and Vayavya*** as Shakthi. You are known as one cutting off worldly attachments (or the rope that drags you to death), And so please protect me, oh goddess of all and oh giver of salvation.

Note: From the heart to the middle of the eyebrows is said to be the region of Vayu. It is black in colour and shines with the letter ‘Ya’. Carrying the breath along the region of Vayu, one should contemplate on Isvara, the omniscient. The Yogi does not meet his death through Vayu.) ( Naga, Kurma, Krikara, Devadatta and Dhananjaya are the five sub-Pranas; Kurma performs the function of opening the eyes

OM

**Anahata sabda – just before one enter Samadhi in yoga one can clearly hear Om inside which is not heard outside the physical body after this the person goes into Samadhi.

* **Vayavya Dharana

Meaning in Tamil

சிவான்மச்சக்கர ஒலி வழி உருவெடுத்த சுயசக்தியே

உள்மூச்சு வெளிமூச்சு வாக்கினிலும் உறை சக்தியே

பாசக்கயிற்றினை செயலாக்கும் பெயர் பெற்ற சக்தியே

அண்டமதின் அன்னையே காத்தருள்வாய் முக்தி

Durga Pancharathnam – Verse 3

Audio Link

https://www.dropbox.com/s/7d025kljtj94cka/Durga%20Pancharatnam-RYKQcQQ3Evs.mp3?dl=0

Sanskrit Verse

परास्य शक्तिः विविधैव श्रूयसे

श्वेताश्ववाक्योदितदेवि दुर्गे ।

स्वाभाविकी ज्ञानबलक्रिया ते

मां पाहि सर्वेश्वरि मोक्षदात्रि ॥ ३॥

English Transliteration

parāsya śaktiḥ vividhaiva śrūyasē

śvētāśvavākyōditadēvi durgē |

svābhāvikī jñānabalakriyā tē

māṁ pāhi sarvēśvari mōkṣadātri || 3 ||

Meaning of the Sanskrit Words

परास्य – Absolute

शक्तिः – Shakti

विविधैव- several

श्रूयसे – heard/extolled

श्वेताश्व – white horses ? Here it refers to Swethavatara* Upanishad,

वाक्योदित- from the words

देवि दुर्गे । – devi Durga

स्वाभाविकी – innate, natural

ज्ञान – knowledge

बल – fruit

क्रिया – act/operation

ते –

मां पाहि सर्वेश्वरि मोक्षदात्रि

Meaning in English

You are His Shakthi called Para, which is spoken in different ways, You are the one who is being celebrated by Swethavatara* Upanishad, You are by your nature , the power force in all actions and wisdom, And so please protect me , oh goddess of all and oh giver of salvation. * This major Upanishad gives the basic teachings and concepts of Bhagwad Gita.

Meaning in Tamil

பலர் போற்றும் பரம் எனும் சக்தியே

உபநிடம் போற்றும் துர்கா தேவியே

உள்ளியல்பான உயர் அறிவுச்சக்தியே

அண்டமதின் அன்னையே காத்தருள்வாய் முக்தி

Carnatic Musing 7 – Part 2 – Lord Kala Bhairava (Siva) – Swarna Venkatesha Dikshitar Krithi – Raga Kalyani

Audio Link to the song:

https://www.dropbox.com/s/k06zy0khtd88nwx/KVN%20-%20Swarna%20Kala%20Bhairavam.mp3?dl=0

Meaning of the Sanskrit Words

Pallavi

स्वर्णकालभैरवं – Swarnakala Bhairava –

वन्दे – salute

अहम् – mine

सुन्दर – beautiful/handsome

Yमुख – face

अरविन्दम् – lotus

श्रि – majesty/beauty/wealth/auspicious

Anupallavi

वर्ण – color

ज्वाल – flame

जटाधरं – ascetic/Siva

शुन – dog

वाहनं – vehicle

क्र्पाकरं – extremely compassionate

रक्त – blood

वर – best

शूल – spear

कपाल – skull

पाश – rope/bond

डमरु – drum

धर – having/possession

ससीरुह – growing in a lake or pond (lily/lotus)

करम् – hand

Madhyama kaalam thisra nadai

अग्नि – fire

निभ – similar

शरीरद्युतिं – lustre

नग्न – bare

शुभ – auspicious

वीक्शणमतिम् – eye

लग्न – adhering/clinging/attached

भक्त – devotee

स्वर्णनिधिम् – golden treasure

रक्शकर – protecting

क्शॆत्रपतिम् – landlord (in this case the Lord

CaraNam 1

भूत – demon/spirit

प्रॆत – deceased/dead body

पिशाच – ghost

गण – group/battalion/troupe

नात – leader

ओअरमॆश्वरं – Supreme Being

प्रभुम् – Lord

भूत – भव्य – past and future

वर्तमान – existing

पाप – sins

भय – fear

दुख – sorrows

प्रशमन – using/healing, kinging/slaying

विभुम् – all penetrating

शित – pure/bright

किरणशॆकरं – किरण शॆकर – ray – beautiful – crown

शिवं – Bliss

चुदम्बरपुर – city of Chidambaram

चित्सभा – intellectuals gathering

निवासिन – resident

चिन्तित – of the thought

सकलॆश्तप्रद – सकक् एश्ट प्रद bestow all what is sought

चरण – bowing, feet

युगळ – pair

भासिनं – shining

Madhyama kaalam – kanta nadai

नील – dark/dark blue

रुचि – lustre

वॆदकर – another name for sun

वन्हि – fire

नयनम् – eyes

त्रिशूलक – trident

कपाल – skull

डमरुच – drum

सह – together

पाशम् – bond/chain

नग्न – bare

शुन – dog

वाहन – vehicle

किन्किणि – bell/tinkling anklet

विभूश्म् – decoration/splendour

प्रॊच्चगति – elevated or lofty

कॆशधर – on the hair

सर्पवर – (वर सर्प) – great snake

हारम् – Garland

सदा – always

The Composition in Tamil

பல்லவி

பொன்னார் காலபைரவனை துதிக்கின்றேன் – எழில்மிகு கமலமுக

அனுபல்லவி

குருதிவண்ண அழல் நீழ்சடையோன்

கருணை பொழி ஞமலி வாகனன் – பாசக்

கயிறுடன் பேர்சூலம் கபாலம் கமலமுடை கரத்தோன்

மத்யம காலம்தீஸ்ர நடை

அழலொப்ப பொன்னார் மேனியன் மங்கள விழியன்

பற்றிடும் அடியார்தனை பொன்திரவியமென காக்கும் ஆண்டவன்

சரணம் 1

பூதப்பிரேத பிசாச கணநாதப் பரமேஸ்வரம் பிரபு

மூவினைவிளை பகைபாவமச்சம் களைவோனே

தில்லையம்பதிவாழ் மிளிர்பிறைதரி சிவனே

வேண்டும் வரமளிக்கும் உன் பொன்மலர்பாதமிரு பணிவேனே

மத்யம காலம்கண்ட நடை

கருஒளிமிகு வடிவுடன் அழல் ஆதவன் விழிஉடையோன்

திரிசூலம் கபாலம் உடுக்கை பாசக்கயிற்றுடன்

கலீர்கலிரென ஒலி கால்தண்டை அணி ஞமலி வாகனன்

மின்னார் செஞ்சடையும் அநிசமாலையெனஅரவு அணியோன்

Meaning in English

I pray , the lotus faced, the Lord Swarna Kaala Bhairava. He has blood red colored flame in his hand and gas long curly hair who is compassionate and gas a dog as his mount. He holds the rope that pulls us out from this earth, skull and trident in his hand. He shines red like the flame and has auspicious eyes. He provides treasures to the devotees like the land lord to the peasants. He controls all the demons and spirits. He removes the sins (past, present & future), sorrows. He lives in Chidambaram. I pray and bow to the feet that provides whatever I wished for. He has dark blue lustre and has powerful eyes like sun. With trident, skull and the destiny rope, he walks with the anklets making majestic sound with his dog. With his red hair locks tidied up,, he wears the snake as garland. I salute the Swarna Kala Bhairava.

,